Gerhard Richter: 40 Years of Painting
The Art Institute of Chicago, Chicago, USA
June 14, 2002 – September 14, 2002
I.G.
1993
72 cm x 102 cm
Oil on canvas
Catalogue Raisonné: 790-4
Sotheby's, New York, USA - 13 November 2012
| $ 3,442,500 | Premium |
This artwork is shown in the following exhibition videos:
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Die Porträts von Gerhard Richter Moorhouse, Paul 2009 
Gerhard Richter Portraits. Painting Appearances Moorhouse, Paul 2009 
The catalogue of the exhibition Gerhard Richter: Portraits at the National Portrait Gallery, London in 2009 focuses on Richter's portraiture.
Author and curator Paul Moorhouse presents a [more]
Gerhard Richter. Doubt and Belief in Painting Storr, Robert 2003 
Gerhard Richter is widely recognized as one of the most significant painters working today, and he is certainly among the most influential. He has worked in a wide range of media since the early [more]
Gerhard Richter. Maler Elger, Dietmar 2002 
Gerhard Richter has been widely regarded as a publicity shy artist. However, the biography Gerhard Richter, Maler gives an insight into Richter’s personal history as well as into the [more]
Gerhard Richter. Forty Years of Painting Storr, Robert 2002 
Published on the occasion of the exhibition Gerhard Richter. 40 Years of Painting at the Museum of Modern Art, New York, this publication represents a broad range of Gerhard Richter's [more]
Gerhard Richter. Malerei Storr, Robert 2002 
Published on the occasion of the exhibition Gerhard Richter. 40 Years of Painting at the Museum of Modern Art, New York, this publication represents a broad range of Gerhard Richter's [more]
Gerhard Richter. 100 Pictures Obrist, Hans Ulrich / Pelzer, Birgit / Tosatto, Guy 1996 
Designed by the artist himself, this publication gives a rare insight into one of the most intensive work periods (1995–1996) of Richter’s life.
It commences by introducing [more]
Gerhard Richter. 100 Bilder Obrist, Hans Ulrich / Pelzer, Birgit / Tosatto, Guy 1996 
Designed by the artist himself, this publication gives a rare insight into one of the most intensive work periods (1995–1996) of Richter’s life.
It commences by introducing [more]
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