Gerhard Richter. Ein Saal und ein Kabinett für die Sammlung
Gerhard Richter: A Hall and a Gallery for the Collection
Kunstmuseum Winterthur, Winterthur, Switzerland
March 07, 1998 – November 15, 1998
Fels
Rock
1989
300 cm x 250 cm
Oil on canvas
Catalogue Raisonné: 694
Sotheby's, Frankfurt, Germany - 30 November 2002
| € 2,600,000 | Premium |
| $ 2,605,210 |
Gerhard Richter Archive, Galerie Neue Meister, Staatliche Kunstsammlungen, Dresden, Germany (loan from a private collection)
This artwork is shown in the following exhibition videos:
- Abstract Paintings, Haus der Kunst, Munich, Germany , 2009
- Large Abstracts, Museum Ludwig, Cologne, Germany, 2008
- Paintings 1963-2007, National Art Museum of China, Beijing, China, 2008
This artwork is mentioned in the following talks:
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Gerhard Richter. Abstrakte Bilder Wilmes, Ulrich / Buchloh, Benjamin H. D. / Söntgen, Beate / Stemmrich, Gregor 2008 
The book was published on the occasion of the exhibition Gerhard Richter. Abstrakte Bilder at Museum Ludwig, Cologne and Haus der Kunst, Munich. The exhibitions were dedicated to Gerhard [more]
Gerhard Richter. Large Abstracts Wilmes, Ulrich / Buchloh, Benjamin H. D. / Söntgen, Beate / Stemmrich, Gregor 2008 
The book was published on the occasion of the exhibition Gerhard Richter. Abstrakte Bilder at Museum Ludwig, Cologne and Haus der Kunst, Munich. The exhibitions were dedicated to Gerhard [more]
Gerhard Richter. Maler Elger, Dietmar 2002 
Gerhard Richter has been widely regarded as a publicity shy artist. However, the biography Gerhard Richter, Maler gives an insight into Richter’s personal history as well as into the [more]
Gerhard Richter. 100 Pictures Obrist, Hans Ulrich / Pelzer, Birgit / Tosatto, Guy 1996 
Designed by the artist himself, this publication gives a rare insight into one of the most intensive work periods (1995–1996) of Richter’s life.
It commences by introducing [more]
Gerhard Richter. 100 Bilder Obrist, Hans Ulrich / Pelzer, Birgit / Tosatto, Guy 1996 
Designed by the artist himself, this publication gives a rare insight into one of the most intensive work periods (1995–1996) of Richter’s life.
It commences by introducing [more]
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