Die Natur der Kunst: Begegnungen mit der Natur vom 19. Jahrhundert bis in die Gegenwart
Die Natur der Kunst: Begegnungen mit der Natur vom 19. Jahrhundert bis in die Gegenwart
Kunstmuseum Winterthur, Winterthur, Schweiz
31 Oktober 2010 - 27 Februar 2011
Kunstmuseum Winterthur, Winterthur, Switzerland
Dieses Kunstwerk basiert auf einem Bild aus dem Atlas:
Dieses Kunstwerk wurde in den folgenden Ausstellungen gezeigt::
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Gerhard Richter has been widely regarded as a publicity shy artist. However, the biography Gerhard Richter, Maler gives an insight into Richter’s personal history as well as into the development of his artistic œuvre.
Besides an evaluation of numerous letters and material from the Gerhard Richter archive, the book includes conversations with the artist as well as several of his contemporaries. Dietmar Elger, director of the Gerhard Richter Archive, describes Richter’s daily studio routine and his creative process. Thanks to detailed background information, this book contributes to an understanding of Richter’s art in connection with his life.

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Designed by the artist himself, this publication gives a rare insight into one of the most intensive work periods (1995–1996) of Richter’s life.
It commences by introducing pictures, which having been kept in the artist’s studio had never been on view. Although mostly focussing on abstract works, an intimate cycle of eight photo paintings in a smaller format is also included: an autobiographic cycle depicting his third wife Sabine Moritz, a painter herself, and their first son Moritz in a Madonna-like pose.
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Designed by the artist himself, this publication gives a rare insight into one of the most intensive work periods (1995–1996) of Richter’s life.
It commences by introducing pictures, which having been kept in the artist’s studio had never been on view. Although mostly focussing on abstract works, an intimate cycle of eight photo paintings in a smaller format is also included: an autobiographic cycle depicting his third wife Sabine Moritz, a painter herself, and their first son Moritz in a Madonna-like pose.
...
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Gerhard Richter has been widely regarded as a publicity shy artist. However, the biography Gerhard Richter. A Life in Painting gives an insight into Richter’s personal history as well as into the development of his artistic œuvre.
Besides an evaluation of numerous letters and material from the Gerhard Richter archive, the book includes conversations with the artist as well as several of his contemporaries. Dietmar Elger, director of the Gerhard Richter Archive, describes Richter’s daily studio routine and his creative process. Thanks to detailed background information, this book contributes to an understanding of Richter’s art in connection with his life.
This English translation of the biography Gerhard Richter, Maler by Dietmar Elger, published in 2009, was slightly revised for the Anglophone reader.

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Korrigierte und erweiterte Neuausgabe.
Gerhard Richter has been widely regarded as a publicity shy artist. However, the biography Gerhard Richter, Maler gives an insight into Richter’s personal history as well as into the development of his artistic œuvre.
Besides an evaluation of numerous letters and material from the Gerhard Richter archive, the book includes conversations with the artist as well as several of his contemporaries. Dietmar Elger, director of the Gerhard Richter Archive, describes Richter’s daily studio routine and his creative process. Thanks to detailed background information, this book contributes to an understanding of Richter’s art in connection with his life.
This edition of the biography Gerhard Richter, Maler published in 2008 was slightly revised to include details of more recent events in Richter’s life.

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Die Natur der Kunst. Begegnungen mit der Natur vom 19. Jahrhundert bis in die Gegenwart was published to coincide with the exhibition at Kunstmuseum Winterthur, Switzerland. The subject of nature in art throughout the centuries is examined using works from the Kunstmuseum's collection.
Both the exhibition and the catalogue are not only concerned with a summarisation of landscape paintings but they also illuminate the relationship between art and nature from a theoretical point of view: nature as a model for art on the one hand and its antipole on the other. In this group exhibition Gerhard Richter's art builds a bridge towards abstraction. Richter's landscapes, which are often oriented on romanticism, are juxtaposed with his abstract paintings.
Contributions by Paul Pfister, Michael Lüthy, Erich Franz, Wolfgang Kersten, Dieter Schwarz and Hans-Konrad Schmutz.