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The catalogue of the exhibition Gerhard Richter. Portraits at the National Portrait Gallery, London in 2009 focuses on Richter's portraiture.

The catalogue of the exhibition Gerhard Richter. Portraits at the National Portrait Gallery, London in 2009 focuses on Richter's portraiture.

This issue of the Patrimonia series was published on the occasion of the acquisition of the painting Portrait Dr. Knobloch of 1964 by Staatliche Kunstsammlungen Dresden in 2009.

Gerhard Richter. Portraits is the first publication that focuses solely on Richter’s portraits, many of which have now gained both recognition and veneration across the globe.

Gerhard Richter. Portraits is the first publication that focuses solely on Richter’s portraits, many of which have now gained both recognition and veneration across the globe.

This catalogue raisonné records Richter’s works in the years 1993-2004. In his work, Gerhard Richter calls into question painting's boundaries, and the labels applied to painting and theories connected with them.

The catalogue raisonné of Gerhard Richters editions 1965–2004 was published to coincide with exhibitions in Bonn, Lucerne, Emden, Tübingen and Salzburg.

The catalogue raisonné of Gerhard Richters editions 1965–2004 was published to coincided with exhibitions in Bonn, Lucerne, Emden, Tübingen and Salzburg.

Gerhard Richter is widely recognized as one of the most significant painters working today, and he is certainly among the most influential. He has worked in a wide range of media since the early 1960s,

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Published on the occasion of the exhibition Gerhard Richter. 40 Years of Painting at the Museum of Modern Art, New York, this publication represents a broad range of Gerhard Richter's paintings of the last 40 years.

Published on the occasion of the exhibition Gerhard Richter. 40 Years of Painting at the Museum of Modern Art, New York, this publication represents a broad range of Gerhard Richter's paintings of the last 40 years.

On October 18, 1977, three young German radicals, members of the militant Baader-Meinhof group, were found dead in a Stuttgart prison; they were pronounced suicides, but many people suspected they had been murdered.

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Designed by the artist himself, this publication gives a rare insight into one of the most intensive work periods (1995–1996) of Richter’s life.

Designed by the artist himself, this publication gives a rare insight into one of the most intensive work periods (1995–1996) of Richter’s life.