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The paintings Townscape M1 up to Townscape M9 [CR: 170/1-9] constitute Gerhard Richter's first series dealing with townscapes. In 1968 Gerhard Richter received the commission to paint a Milan cityscape, which resulted in the creation of Cathedral Square, Milan [CR: 169]. In the course of his preoccupation with the city of Milan as a motif, he also created the paintings Townscape M1 to M9.
Gerhard Richter initially produced one large-scale painting on one canvas, which he later cut into nine almost identically square pieces. The original painting is based on an aerial photograph, which survives on sheet 119 of Richter's Atlas. With Milan Cathedral at its centre, the source photograph allows for the localisation of the individual parts of the picture: Townscape M4 depicts a section of the ring of chapels of Milan Cathedral, and in the foreground the roofs of houses opposite.
Transforming the aerial photograph into paint, Gerhard Richter enlarged it without adding missing details. Thus, black, white and grey colour patches are liberally applied onto the canvas in a pastose manner.
The original painting's format of 275 x 290 cm was designed to be viewed from a greater distance. The dismantling of the painting into nine smaller formats means the beholder must stand closer in order to view them. What could have, from a distance, been recognised as an aerial image of a city disintegrates into abstract lines and areas when seen close-up.
The series Townscapes M1 up to M9 illustrates Gerhard Richter's engagement in the process of abstraction: starting from a concrete depiction, which was enlarged at first and then cropped, the final image can barely be traced back to the source photograph. The numbering of the single parts of the painting, which do not relate in any way to their initial positions in the original large format, also suggests that any kind of identification is less important to Richter than the painterly process of abstraction.
Notes prepared by editorial team
Sotheby's, London, UK: 06 February 2003
This artwork is based on an image included in Atlas:
This artwork was shown in the following exhibitions:
This artwork is included in the following publications:
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- Gerhard Richter: About Painting, Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent, Belgium, 2017
- Gerhard Richter: Early Works, Museum Wiesbaden, Wiesbaden, Germany, 2017
- Gerhard Richter: About Painting - Early Works, Kunstmuseum Bonn, Bonn, Germany, 2017
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- Gerhard Richter: Panorama, Tate Modern, London, UK, 2011
- Gerhard Richter: Panorama, Neue und Alte Nationalgalerie, Staatliche Museen zu Berlin, Berlin, Germany, 2011
- Gerhard Richter: Panorama, Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France, 2011
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In this publication, eminent American scholar and curator Robert Storr offers an authoritative consideration of September, Richter’s 2005 painting made in response to the attacks on the WorldTrade Center of 11 September 2001,
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Gerhard Richter has been widely regarded as a publicity shy artist. However, the biography Gerhard Richter. A Life in Painting gives an insight into Richter’s personal history as well as into the development of his artistic œuvre.
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- Gerhard Richter: Abstract Paintings, Haus der Kunst, Munich, Germany, 2008
- Gerhard Richter: Abstract Paintings, Museum Ludwig, Cologne, Germany, 2008
The book was published on the occasion of the exhibition Gerhard Richter. Abstrakte Bilder at Museum Ludwig, Cologne and Haus der Kunst, Munich. The exhibitions were dedicated to Gerhard Richter’s abstract pictures
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The book was published on the occasion of the exhibition Gerhard Richter. Abstrakte Bilder at Museum Ludwig, Cologne and Haus der Kunst, Munich. The exhibitions were dedicated to Gerhard Richter’s abstract pictures
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Corrected and extended new edition.
Gerhard Richter has been widely regarded as a publicity shy artist. However, the biography Gerhard Richter, Maler gives an insight into Richter’s personal history as well as into the development of his artistic œuvre.
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Gerhard Richter. Portraits is the first publication that focuses solely on Richter’s portraits, many of which have now gained both recognition and veneration across the globe.
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- Gerhard Richter, Städtische Galerie im Lenbachhaus, Munich, Germany, 2005
- Gerhard Richter, K20 Grabbeplatz, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany, 2005
This catalogue raisonné records Richter’s works in the years 1999-2004. In his work, Gerhard Richter calls into question painting's boundaries, and the labels applied to painting and theories connected with them.
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- Gerhard Richter, Städtische Galerie im Lenbachhaus, Munich, Germany, 2005
- Gerhard Richter, K20 Grabbeplatz, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany, 2005
This catalogue raisonné records Richter’s works in the years 1993-2004. In his work, Gerhard Richter calls into question painting's boundaries, and the labels applied to painting and theories connected with them.
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Gerhard Richter has been widely regarded as a publicity shy artist. However, the biography Gerhard Richter, Maler gives an insight into Richter’s personal history as well as into the development of his artistic œuvre.
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- Gerhard Richter: Paintings 1962–1985, Museum moderner Kunst/Museum des 20. Jahrhunderts, Vienna, Austria, 1986
- Gerhard Richter: Paintings 1962–1985, Städtische Kunsthalle Düsseldorf, Düsseldorf, Germany, 1986
- Gerhard Richter: Paintings 1963–1986, Kunsthalle Bern, Bern, Switzerland, 1986
- Gerhard Richter: Paintings 1962–1985, Nationalgalerie, Staatliche Museen zu Berlin, Berlin, Germany, 1986
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This artwork is shown or mentioned in the following videos: