Gerhard Richter
Gerhard Richter
City-Galerie Bruno BischofbergerZurichSwitzerland
30 March 1966 - 16 April 1966
This artwork is based on an image included in Atlas:
This artwork was shown in the following exhibitions::
Related publication(s)
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Exhibitions
- Gerhard Richter: Atlas der Fotos, Collagen und Skizzen, Städtische Galerie im Lenbachhaus, 1989
- Gerhard Richter: Atlas der Fotos, Collagen und Skizzen, Museum Ludwig, 1990
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- Gerhard Richter. Bilder 1962–1985, Museum moderner Kunst/Museum des 20. Jahrhunderts, 1986
- Gerhard Richter. Bilder 1962–1985, Städtische Kunsthalle Düsseldorf, 1986
- Gerhard Richter. Bilder 1962–1985, Nationalgalerie, Staatliche Museen zu Berlin, 1986
- Gerhard Richter. Bilder 1963–1986, Kunsthalle Bern, 1986
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Gerhard Richter. Portraits is the first publication that focuses solely on Richter’s portraits, many of which have now gained both recognition and veneration across the globe.
In his essay, Stefan Gronert discusses the position of the portrait in the artist’s oeuvre. He begins by looking at Richter’s early black and white pictures, then moving on to his more recent colour charts. The artist has explored this subject through various media, including painting, graphic reproduction, drawings, photography and film. Research conducted for this publication unearthed portraits in the artist’s archive that were hitherto unknown; now published in this monograph for the first time.
In his essay, Hubert Butin examines some of these newly discovered works; in particular focusing on Richter’s portrait photography of the 1960s.
Issue
Publisher
Details
ISBN
Category
Exhibitions
Gerhard Richter. Portraits is the first publication that focuses solely on Richter’s portraits, many of which have now gained both recognition and veneration across the globe.
In his essay, Stefan Gronert discusses the position of the portrait in the artist’s oeuvre. He begins by looking at Richter’s early black and white pictures, then moving on to his more recent colour charts. The artist has explored this subject through various media, including painting, graphic reproduction, drawings, photography and film. Research conducted for this publication unearthed portraits in the artist’s archive that were hitherto unknown; now published in this monograph for the first time.
In his essay, Hubert Butin examines some of these newly discovered works; in particular focusing on Richter’s portrait photography of the 1960s.
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