Gerhard Richter: New Paintings
Gerhard Richter: New Paintings
Sperone Westwater FischerNew YorkUSA
14 January 1978 - 11 February 1978
This artwork was shown in the following exhibitions::
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Gerhard Richter has been widely regarded as a publicity shy artist. However, the biography Gerhard Richter, Maler gives an insight into Richter’s personal history as well as into the development of his artistic œuvre.
Besides an evaluation of numerous letters and material from the Gerhard Richter archive, the book includes conversations with the artist as well as several of his contemporaries. Dietmar Elger, director of the Gerhard Richter Archive, describes Richter’s daily studio routine and his creative process. Thanks to detailed background information, this book contributes to an understanding of Richter’s art in connection with his life.
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Gerhard Richter. Rot, Gelb, Blau by Helmut Friedel analyses and contextualises the paintings Red, Yellow and Blue [CR: 345/1-3] commissioned by BMW for their Munich headquarters, within the context of Richter’s œuvre.
During the years 1970 to 1980 Gerhard Richter frequently addressed paint as a means of painting and especially images of pastose brush strokes. This examination led to the large works Red, Yellow and Blue of 1973, each measuring 3 x 6 metres. The BMW headquarters themselves are also considered, as the space, for which Richter created the paintings.
A text contribution by Robert Storr places Red, Yellow, and Blue in an historical context and refers to the historical aspects that might have played a role in the creative process of the BMW works.
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Exhibitions
- Gerhard Richter. Bilder 1962–1985, Museum moderner Kunst/Museum des 20. Jahrhunderts, 1986
- Gerhard Richter. Bilder 1962–1985, Städtische Kunsthalle Düsseldorf, 1986
- Gerhard Richter. Bilder 1962–1985, Nationalgalerie, Staatliche Museen zu Berlin, 1986
- Gerhard Richter. Bilder 1963–1986, Kunsthalle Bern, 1986
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Inside the Studio. Erika Kiffl fotografiert Gerhard Richter presents two photographical series that show Richter in his studio.
In 1967 a first series was taken in his studio Fürstenwall in Düsseldorf, which documents mainly the creative process of the picture Diana [CR: 155].
The other series of photographs from 1977, which were taken in his studio in Brückenstraße, show Richter working on abstract paintings. Numerous photographs shed light on the materials he used and his techniques. These rare insights into Richter’s studio routine are accompanied by texts from Dietmar Elger and Ekkehard Mai. In the context of an interview, the photographer highlights the process of taking the photographs.
The exhibition 'Erika Kiffl - Fotografie. Von Ai Weiwei bis Gerhard Richter' at the Museum Kunstpalast, Düsseldorf, Germany (07 August 2015 – 18 October 2015) features photographs from this publication showing Gerhard Richter.
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Notes
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Notes
Corrected and extended new edition.
Gerhard Richter has been widely regarded as a publicity shy artist. However, the biography Gerhard Richter, Maler gives an insight into Richter’s personal history as well as into the development of his artistic œuvre.
Besides an evaluation of numerous letters and material from the Gerhard Richter archive, the book includes conversations with the artist as well as several of his contemporaries. Dietmar Elger, director of the Gerhard Richter Archive, describes Richter’s daily studio routine and his creative process. Thanks to detailed background information, this book contributes to an understanding of Richter’s art in connection with his life.
This edition of the biography Gerhard Richter, Maler published in 2008 was slightly revised to include details of more recent events in Richter’s life.
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Gerhard Richter has been widely regarded as a publicity shy artist. However, the biography Gerhard Richter. A Life in Painting gives an insight into Richter’s personal history as well as into the development of his artistic œuvre.
Besides an evaluation of numerous letters and material from the Gerhard Richter archive, the book includes conversations with the artist as well as several of his contemporaries. Dietmar Elger, director of the Gerhard Richter Archive, describes Richter’s daily studio routine and his creative process. Thanks to detailed background information, this book contributes to an understanding of Richter’s art in connection with his life.
This English translation of the biography Gerhard Richter, Maler by Dietmar Elger, published in 2009, was slightly revised for the Anglophone reader.