Gerhard Richter: Von Elbe bis November. Arbeiten auf Papier aus der Sammlung
Graphisches Kabinett, Kunstmuseum WinterthurWinterthurSwitzerland
18 January 2014 - 27 July 2014
This exhibition displays Elbe, a series of monotypes created in 1957.
View the complete Elbe series here.
Kunstmuseum Winterthur, Winterthur, Switzerland
This artwork was shown in the following exhibitions::
Related publication(s)
Publisher
Year
Details
ISBN
Category
This catalogue raisonné of Gerhard Richter's drawings encompasses works in pencil, India ink, ballpoint pen, and other drawing media, on both paper and canvas since 1964. This comprehensive survey presents more than 400 drawings, each with descriptive captions and background text, as well as essays by Dieter Schwarz and Birgit Pelzer that investigate this crucial component of one of the 20th century's most celebrated painters.
...Publisher
Year
Details
ISBN
Category
Exhibitions
- Von Edgar Degas bis Gerhard Richter: Arbeiten auf Papier aus der Sammlung des Kunstmuseums Winterthur, Neues Museum, Staatliches Museum für Kunst und Design, 2001
- Von Edgar Degas bis Gerhard Richter: Arbeiten auf Papier aus der Sammlung des Kunstmuseums Winterthur, Westfälisches Landesmuseum für Kunst und Kulturgeschichte, 2001
- Von Edgar Degas bis Gerhard Richter: Arbeiten auf Papier aus der Sammlung des Kunstmuseums Winterthur, Museum der Moderne, MdM Rupertinum, 2001
- Von Edgar Degas bis Gerhard Richter: Arbeiten auf Papier aus der Sammlung des Kunstmuseums Winterthur, Kunstmuseum Winterthur, 2000
Publisher
Year
Editor
Details
ISBN
Category
Exhibitions
The book Gerhard Richter. Aquarelle und Zeichnungen was published on the occasion of the exhibition Gerhard Richter. Retrospektive at the Albertina in Vienna in 2009.
Unlike in the artist’s previous retrospectives, Gerhard Richter’s graphics are given a prominent place. The exhibited works on paper span a period of 40 years, from 1966 to 2006. This overview shows how Richter’s drawings and watercolours initially focused on the abstract, and also show to what extent they interact with his paintings.
The book includes a foreword by Klaus Albrecht Schröder and an essay by Barbara Steffen.
1 related publication(s)