Hyper Real. Die Passion des Realen in Malerei und Fotografie
Hyper Real: The Passion of the Real in Painting and Photography
Museum Moderner Kunst Stiftung Ludwig (MUMOK)ViennaAustria
22 October 2010 - 13 February 2011
Landschaft mit kleiner Brücke
Landscape with Little Bridge
1969 120 cm x 150 cm Catalogue Raisonné: 227
Oil on canvas
This artwork was shown in the following exhibitions::
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Gerhard Richter has been widely regarded as a publicity shy artist. However, the biography Gerhard Richter, Maler gives an insight into Richter’s personal history as well as into the development of his artistic œuvre.
Besides an evaluation of numerous letters and material from the Gerhard Richter archive, the book includes conversations with the artist as well as several of his contemporaries. Dietmar Elger, director of the Gerhard Richter Archive, describes Richter’s daily studio routine and his creative process. Thanks to detailed background information, this book contributes to an understanding of Richter’s art in connection with his life.
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- Gerhard Richter. Bilder 1962–1985, Museum moderner Kunst/Museum des 20. Jahrhunderts, 1986
- Gerhard Richter. Bilder 1962–1985, Städtische Kunsthalle Düsseldorf, 1986
- Gerhard Richter. Bilder 1963–1986, Kunsthalle Bern, 1986
- Gerhard Richter. Bilder 1962–1985, Nationalgalerie, Staatliche Museen zu Berlin, 1986
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- Gerhard Richter. Streifen und Glas, Kunstmuseum Winterthur, 2014
- Gerhard Richter. Streifen und Glas, Galerie Neue Meister, Albertinum, Staatliche Kunstsammlungen Dresden, 2013
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Corrected and extended new edition.
Gerhard Richter has been widely regarded as a publicity shy artist. However, the biography Gerhard Richter, Maler gives an insight into Richter’s personal history as well as into the development of his artistic œuvre.
Besides an evaluation of numerous letters and material from the Gerhard Richter archive, the book includes conversations with the artist as well as several of his contemporaries. Dietmar Elger, director of the Gerhard Richter Archive, describes Richter’s daily studio routine and his creative process. Thanks to detailed background information, this book contributes to an understanding of Richter’s art in connection with his life.
This edition of the biography Gerhard Richter, Maler published in 2008 was slightly revised to include details of more recent events in Richter’s life.
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Issue of: Louisiana Revy 1973, 13(3)
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Thesis (Ph.D.). - Ruhr-Universität Bochum, 1986
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- Gerhard Richter: Paintings, San Francisco Museum of Modern Art (SFMOMA), 1989
- Gerhard Richter: Paintings, Hirshhorn Museum and Sculpture Garden, 1988
- Gerhard Richter: Paintings, Museum of Contemporary Art Chicago, 1988
- Gerhard Richter: Paintings, Art Gallery of Ontario (AGO), 1988
Exhibition catalogue by Roald Nasgaard, with an essay by I. Michael Danoff, and an interview with Gerhard Richter by Benjamin H. D. Buchloh, edited by Terry A. Neff.
Exhibitions:
Art Gallery of Ontario, Toronto, April 29, 1988 to July 10, 1988;
Museum of Contemporary Art, Chicago, September 17, 1988 to November 27, 1988;
Hirshhorn Museum and Sculpture Garden, Washington, D.C., December 14, 1988 to February 12, 1989;
San Francisco Museum of Modern Art, March 15, 1989 to May 28, 1989.
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- Wittgenstein. Das Spiel des Unsagbaren, Secession, 1989
- Wittgenstein. Het Spel van het Naamloze, Palais des Beaux-Arts, 1989
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- Secession. Das Jahrhundert der künstlerischen Freiheit, Secession, 1998
- Secession. Das Jahrhundert der künstlerischen Freiheit, Galerie Rudolfinum, 1998
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The book Gerhard Richter. Image after Image accompanied an eponymous exhibition at Louisiana Museum of Modern Art in Humlebaek that honoured Gerhard Richter's œuvre with a large scale exhibition for the first time in Denmark.
In the book the works are divided into topical chapters: portraits, landscapes, constructions and abstract painting are provided with explanatory texts.
Essays by Poul Erik Tøjner and Troels Wörsel, as well as a biography let Richter's artistic development become comprehensible. Studio photographs by Manfred Leve, from 1967 until 1999, also allow insights into Richter's daily work routine.
Text contributions by Poul Erik Tøjner, Mette Marcus and Troels Wörsel.
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Exhibitions
The book Gerhard Richter. Image after Image accompanied an eponymous exhibition at Louisiana Museum of Modern Art in Humlebaek that honoured Gerhard Richter's œuvre with a large scale exhibition for the first time in Denmark.
In the book the works are divided into topical chapters: portraits, landscapes, constructions and abstract painting are provided with explanatory texts.
Essays by Poul Erik Tøjner and Troels Wörsel, as well as a biography let Richter's artistic development become comprehensible. Studio photographs by Manfred Leve, from 1967 until 1999, also allow insights into Richter's daily work routine.
Text contributions by Poul Erik Tøjner, Mette Marcus and Troels Wörsel.
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- Hyper Real – Kunst und Amerika um 1970, Ludwig Forum für Internationale Kunst, 2011
- Hyper Real. Die Passion des Realen in Malerei und Fotografie, Museum Moderner Kunst Stiftung Ludwig (MUMOK), 2010
Hyper Real is a catalogue that was published to coincide with the exhibitions of the Irene und Peter Ludwig Foundation in Vienna, Aachen and Budapest. Irene and Peter Ludwig were amongst the first to collect photorealist works of art. For the first time in history, a complete inventory of their photorealist collection is examined.
The essays address the connection between painting and photography and the reference of art to reality is discussed with regards to photography. This has been the case with Gerhard Richter especially, who frequently used photographic source images for his paintings. The catalogue discusses some of Gerhard Richter’s landscapes.
With a foreword by Brigitte Franzen and Edelbert Köb and contributions by Susanne Neuburger, Benedikt Ledebur, Jean-Christophe Ammann, Brigitte Franzen and Monika Farber.
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1 Exhibitions
1 related publications
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- Hyper Real – Art and America around 1970 , 2010
- Hyper Real: The Passion of the Real in Painting and Photography , 2010
Hyper Real is a catalogue that was published to coincide with the exhibitions of the Irene und Peter Ludwig Foundation in Vienna, Aachen and Budapest. Irene and Peter Ludwig were amongst the first to collect photorealist works of art. For the first time in history, a complete inventory of their photorealist collection is examined.
The essays address the connection between painting and photography and the reference of art to reality is discussed with regards to photography. This has been the case with Gerhard Richter especially, who frequently used photographic source images for his paintings. The catalogue discusses some of Gerhard Richter’s landscapes.
With a foreword by Brigitte Franzen and Edelbert Köb and contributions by Susanne Neuburger, Benedikt Ledebur, Jean-Christophe Ammann, Brigitte Franzen and Monika Farber.