Nature + Abstraction
Nature + Abstraction
Fondation BeyelerRiehenSwitzerland
20 May 2018 - 12 August 2018
12 Scheiben (Reihe)
12 Panes
2013 300 cm x 700 cm x 175 cm Catalogue Raisonné: 931-2
Glass and steel construction
Fondation Beyeler
This artwork was shown in the following exhibitions::
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Exhibitions
- Gerhard Richter. Streifen und Glas, Kunstmuseum Winterthur, 2014
- Gerhard Richter. Streifen und Glas, Galerie Neue Meister, Albertinum, Staatliche Kunstsammlungen Dresden, 2013
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The catalogue Gerhard Richter. Bilder / Serien accompanies Gerhard Richter’s eponymous exhibition at the Fondation Beyeler. The show is curated by Hans Ulrich Obrist, a longstanding friend of Richter, and looks back at 60 years of the artist’s work. The exhibition focuses on work he created since the 1960s; namely, series, cycles and interior spaces. According to Obrist, too little attention has been devoted to this specific section of his oeuvre to date. Works exhibited in groups are juxtaposed with single pieces, which act as both counterpoints characteristic of Richter’s style, yet simultaneously illuminate the similarities between the different bodies of work.
Besides illustrations of the exhibited paintings, the catalogue also includes text contributions by Sam Keller, Hans Ulrich Obrist and Dieter Schwarz. The essays by Obrist and Schwarz primarily analyse Richter’s series. An interview between the curator and Richter reveals the background of the development of the series. Furthermore, the catalogue includes a letter by George Didi-Huberman, who shares his thoughts after a visit to the artist’s studio.
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The catalogue Gerhard Richter. Pictures / Series accompanies Gerhard Richter’s exhibition at the Fondation Beyeler. The show is curated by Hans Ulrich Obrist, a longstanding friend of Richter, and looks back at 60 years of the artist’s work. The exhibition focuses on work he created since the 1960s; namely, series, cycles and interior spaces. According to Obrist, too little attention has been devoted to this specific section of his oeuvre to date. Works exhibited in groups are juxtaposed with single pieces, which act as both counterpoints characteristic of Richter’s style, yet simultaneously illuminate the similarities between the different bodies of work.
Besides illustrations of the exhibited paintings, the catalogue also includes texts contributed by Sam Keller, Hans Ulrich Obrist and Dieter Schwarz. The essays by Obrist and Schwarz primarily analyse Richter’s series. An interview between the curator and Richter reveals the background of the development of the series. Furthermore, the catalogue includes a letter by George Didi-Huberman, who shares his thoughts after a visit to the artist’s studio.
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This artwork is shown or mentioned in the following videos: