Out of Time: A Contemporary View

Out of Time: A Contemporary View

Out of Time: A Contemporary View

The Museum of Modern Art (MoMA)New YorkUSA

30 August 2006 - 09 April 2007

Cell

Zelle
Cell

1988 200 cm x 140 cm Catalogue Raisonné: 670

Oil on canvas

The painting Cell belongs to the cycle October 18, 1977 and depicts the empty prison cell of Andreas Baader, one of the leading members of the RAF, who was found shot in his cell in Stuttgart-Stammheim on 18th October 1977. 

 

As all paintings of the cycle this work refers back to a photographic source image. In this case it is a police photograph taken after the discovery of Baader’s suicide whose coloured original can be found in the archives of the public prosecution department in Stuttgart. The original shows more details like books and a typewriter standing on the floor in front of the big book shelf as well as a triangular red flag hanging on the wall left to the shelf. Furthermore, the outlines of Baader’s dead body, sketched on the floor with chalk, and the titles of several books can be discerned. The chalk markings as well as the coat hanging in the left corner point to the former inmate of the cell and his ominous absence[1]. This connection is mitigated in Richter’s painting because of the heavy blurring but nonetheless still perceptible.

 

The painting is divided by a vertical line in the middle: the right side is occupied by a wall-high shelf which provides space for rows and rows of books. The left side is dominated by the bright wall and a coat hanging over a folding screen that is shielding the sink from view.  

 

Cell is characterised by an especially strong, vertical blurring of all outlines that causes the wall of books to flicker in the viewers eyes. Every object in the room seems to be in motion, entraining the viewer (and the inmate respectively). The cell thus becomes the image of a death trap[2]. As the floor is very dark it almost seems as if it is not there at all, leaving a black hole and literally taking the ground from under the prisoner although the book shelf should theoretically be both an intellectual and physical support. The general menacing impression is reinforced by the flag that, rendered in black and white, almost seems like a guillotine. The blurring and concomitant haziness of the subject matter hence also reflect how the public dealt with the events[3].

 

Unlike Man Shot Down 1 and 2 [CR: 669/1-2] this painting also references Baader’s everyday life in prison. Even if a lot of the personal objects cannot be clearly identified, the abundance of books is informative in itself. Among the identified tomes are mostly political works of revolutionary nature but also books about art and history. In total Baader had 974 books in his cell that can provide an insight into his life as a prisoner and prove that he worked on his intellectual education in spite of having dropped out of school[4]. The volumes also point to the attempts of the RAF to justify their politically motivated actions with ideological documents. These are mostly attributed to the former journalist Ulrike Meinhof however[5].  

 

Repeatedly Richter remarked upon the dangers inherent in believing in ideologies of any sort: “[…] Without a doubt, ideologies are harmful, and we must therefore take them very seriously: as behaviour, and not for their content (in content they are all equally false). […] The pictures are also a leave-taking, in several respects. […] and then ideologically: a leave-taking from a specific doctrine of salvation and, beyond that, from the illusion that unacceptable circumstances of life can be changed by this conventional expedient of violent struggle (this kind of revolutionary thought and action is futile and passé).'[6] This painting as well can be seen as a manifestation of the dangers immanent in ideologies. The bookshelf in Baader’s cell represents the variety of political ideologies and their dangerous consequences visually, both for the individual whose death is epitomised by the empty room, as well for society in general[7]. Concurrently, the normality represented with this subject appears especially alarming[8].



[1] Robert Storr (ed.), Gerhard Richter. October 18, 1977, The Museum of Modern Art, New York, 2000, p. 107.

[2] Birgit Richard, Todesbilder. Kunst, Subkultur, Medien, Werner Fink, Munich, 1995, pp. 233-234.

[3] Martin Henatsch, Gerhard Richter – 18. Oktober 1977. Das verwischte Bild der Geschichte, insel, Frankfurt, 1998, pp. 82-83.

[4] Storr 2000, p. 117.

[5] Stefan Aust, Der Baader-Meinhof-Komplex, 3rd ed., Hamburg, 2008, pp. 243-244; p. 406-408.

[6] Notes, 1989 (translated by David Britt) in: Gerhard Richter. Text. Writings, Interviews and Letters 1961-2007, Thames & Hudson, London, 2009, p. 213.

[7] Ortrud Westheider, “Eine Idee, die bis zum Tod geht. Der Zyklus 18. Oktober 1977“, in: Uwe M. Schneede (ed.), Gerhard Richter. Bilder einer Epoche, exh. cat. Bucerius Kunst-Forum, Munich, 2011, p. 175.

[8] Kai-Uwe Hemken, Gerhard Richter 18. Oktober 1977, Fischer, Frankfurt/Leipzig, 1998, p. 88.


Notes prepared by editorial team

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Issue

01 January 2002

Publisher

The Museum of Modern Art, New York, NY

Details

Hardback Softcover , 340 pages

ISBN

189102437X

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Exhibitions

Published on the occasion of the exhibition Gerhard Richter. 40 Years of Painting at the Museum of Modern Art, New York, this publication represents a broad range of Gerhard Richter's paintings of the last 40 years.

 

Gerhard Richter's diverse body of work questions broadly held attitudes about the inherent importance of stylistic consistency for an artist. It ranges from photo-based pictures all across the board to gestural abstraction. The 'natural' evolution of individual artistic sensibility, the spontaneous component of creativity and the relationship of technological means and mass media imagery to traditional studio methods and formats. Richter has always kept his distance from revolutionaries and conservatives alike regarding what painting “should” be. This has resulted in what has been among the most convincing renewal of painting's vitality in late 20th- and early 21st-century art.

 

This publication consists of a critical essay by curator Robert Storr, a rare interview with the artist himself, a chronology, an exhibition history, and nearly 300 colour and duotone reproductions.

...
More Details
Gerhard Richter. Forty Years of Painting Storr, Robert 2002

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01 January 2003

Publisher

The Museum of Modern Art, New York, NY

Details

Softcover , 336 pages

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Gerhard Richter is widely recognized as one of the most significant painters working today, and he is certainly among the most influential. He has worked in a wide range of media since the early 1960s, producing abstractions, landscapes, images derived from the mass media and from other photographs, and more. Seen together, these works call into question such widely held assumptions as the importance of stylistic consistency, individual artistic sensibility and spontaneous creativity. They also explore the impact of technology and media imagery on the traditional methods and formats of painting.

The Museum of Modern Art has published two important books on Richter, both written by Robert Storr: one covering forty years of his work, and published to accompany the Museum's large retrospective of his work in 2002, and one focusing on a single crucial series, October 18, 1977. This book brings together the essays and recent interviews from both of those books in a single volume.

...
More Details
Gerhard Richter. Doubt and Belief in Painting Storr, Robert 2003

Issue

01 January 2002

Publisher

Hatje Cantz Verlag, Ostfildern-Ruit

Details

Hardback , 340 pages

ISBN

9783775711692

Category

Solo Exhibitions
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Illustrated: p. 218 (colour)
Illustrated: p. 219 (colour)
Illustrated: p. 221 (colour)
Mentioned: pp. 71, 75
Illustrated: p. 213 (colour)
Illustrated: p. 216 (colour)
Illustrated: p. 217 (colour)
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Illustrated: p. 215 (colour)
Mentioned: pp. 75
Discussed: pp. 78
Illustrated: p. 207 (colour)
Illustrated: p. 214 (colour)
Illustrated: p. 223 (colour)
Mentioned: pp. 75
Illustrated: p. 208 (colour)
Mentioned: pp. 75
Illustrated: p. 209 (colour)
Mentioned: pp. 71
Illustrated: p. 224 (colour)
Discussed: pp. 78
Illustrated: p. 226, 227 (colour)
Discussed: pp. 78
Illustrated: p. 228, 229 (colour)
Discussed: pp. 78
Illustrated: p. 230, 231 (colour)
Illustrated: p. 232 (colour)
Illustrated: p. 233 (colour)
Illustrated: p. 234 (colour)
Mentioned: pp. 34, 92, 292, 293
Illustrated: p. 112 (colour)
Mentioned: pp. 34, 92, 292, 293
Illustrated: p. 113 (colour)
Mentioned: pp. 83, 84
Illustrated: p. 235 (colour)
Mentioned: pp. 83, 84
Illustrated: p. 236 (colour)
Mentioned: pp. 48, 83, 84
Illustrated: p. 237 (colour)
Mentioned: pp. 34
Discussed: pp. 294
Illustrated: p. 128 (colour)
Illustrated: p. 238 (colour)
Illustrated: p. 141 (colour)
Discussed: pp. 79
Illustrated: p. 243 (colour)
Discussed: pp. 79
Illustrated: p. 242 (colour)
Discussed: pp. 79, 80
Illustrated: p. 80 (colour)
Mentioned: pp. 32
Discussed: pp. 35
Illustrated: p. 32 (colour)

Exhibitions

Published on the occasion of the exhibition Gerhard Richter. 40 Years of Painting at the Museum of Modern Art, New York, this publication represents a broad range of Gerhard Richter's paintings of the last 40 years.

 

Gerhard Richter's diverse body of work questions broadly held attitudes about the inherent importance of stylistic consistency for an artist. It ranges from photo-based pictures all across the board to gestural abstraction. The 'natural' evolution of individual artistic sensibility, the spontaneous component of creativity and the relationship of technological means and mass media imagery to traditional studio methods and formats. Richter has always kept his distance from revolutionaries and conservatives alike regarding what painting “should” be. This has resulted in what has been among the most convincing renewal of painting's vitality in late 20th- and early 21st-century art.

 

This publication consists of a critical essay by curator Robert Storr, a rare interview with the artist himself, a chronology, an exhibition history, and nearly 300 colour and duotone reproductions.

...
More Details
Gerhard Richter. Malerei Storr, Robert 2002

Issue

01 January 1991

Publisher

Verlag der Buchhandlung Walther König, Köln

Details

Softcover , 64 pages

ISBN

3883751413

Category

Monographs
Artwork Mentioned: pp. 23
Mentioned: pp. 23
Mentioned: pp. 23
Mentioned: pp. 23

Illustrated: p. 22 (b/w)

Illustrated: p. 21 (b/w)

Illustrated: p. 27 (b/w)
Mentioned: pp. 23
Mentioned: pp. 46
Discussed: pp. 16

Illustrated: p. 16 (b/w)
Mentioned: pp. 46
Discussed: pp. 16

Illustrated: p. 16 (b/w)
Mentioned: pp. 46
Discussed: pp. 16

Illustrated: p. 16 (b/w)
Discussed: pp. 17

Illustrated: p. 18 (b/w)
Discussed: pp. 17

Illustrated: p. 17 (b/w)
Discussed: pp. 17

Illustrated: p. 17 (b/w)
Discussed: pp. 18

Illustrated: p. 18 (b/w)
Mentioned: pp. 16, 46

Illustrated: p. 15 (b/w)
Mentioned: pp. 16, 46

Illustrated: p. 15 (b/w)
Mentioned: pp. 16, 46

Illustrated: p. 15 (b/w)
Mentioned: pp. 46
Discussed: pp. 19, 47, 48

Illustrated: p. 19 (b/w)
Discussed: pp. 19

Illustrated: p. 19 (b/w)
Discussed: pp. 19

Illustrated: p. 20 (b/w)
Discussed: pp. 19, 20

Illustrated: p. 20 (b/w)
Discussed: pp. 19, 20

Illustrated: p. 20 (b/w)
Mentioned: pp. 54

Illustrated: p. 54 (b/w)
Zu Richters Oktober-Bildern Butin, Hubertus 1991

Issue

01 January 2002

Publisher

DuMont, Köln

Details

Hardback , 420 pages

ISBN

9783832158484

Category

Monographs
Artwork Mentioned: pp. 95, 108, 206, 210, 274, 348, 355, 425
Discussed: pp. 60, 62, 64

Illustrated: p. 63 (b/w)
Mentioned: pp. 94, 105
Discussed: pp. 164
Discussed: pp. 172

Illustrated: p. 174 (b/w)
Mentioned: pp. 112
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Discussed: pp. 166
Mentioned: pp. 60
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Illustrated: p. 130 (b/w)
Mentioned: pp. 100
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Mentioned: pp. 163
Mentioned: pp. 275, 278
Mentioned: pp. 206
Discussed: pp. 166
Mentioned: pp. 306
Discussed: pp. 166

Illustrated: p. 165 (b/w)
Mentioned: pp. 157
Mentioned: pp. 163
Mentioned: pp. 163
Mentioned: pp. 94, 110
Discussed: pp. 204

Illustrated: p. 109 (b/w)
Mentioned: pp. 145, 163, 251, 441
Mentioned: pp. 145
Mentioned: pp. 137, 441

Illustrated: p. 154 (b/w)
Mentioned: pp. 164
Mentioned: pp. 90, 163, 274, 444
Discussed: pp. 148, 149
Mentioned: pp. 142, 163, 168, 185, 198, 200, 283, 425
Discussed: pp. 144, 145, 147, 408, 411
Illustrated: p. 146 (colour)
Discussed: pp. 185, 186, 188
Discussed: pp. 185, 186, 188
Mentioned: pp. 206
Discussed: pp. 185, 186, 188
Illustrated: p. 186, 187 (colour) (colour)
Mentioned: pp. 282
Discussed: pp. 185, 186, 188
Discussed: pp. 185, 186, 188
Illustrated: p. 186 (colour)
Discussed: pp. 185, 186, 188
Discussed: pp. 185, 186, 188
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Discussed: pp. 185, 186, 188

Illustrated: p. 186 (b/w)
Discussed: pp. 185, 186, 188

Illustrated: p. 186 (b/w)
Mentioned: pp. 196
Discussed: pp. 185, 186, 188

Illustrated: p. 186 (b/w)
Mentioned: pp. 196
Discussed: pp. 185, 186, 188

Illustrated: p. 197 (b/w)
Mentioned: pp. 196
Discussed: pp. 185, 186, 188
Mentioned: pp. 156
Discussed: pp. 185, 186, 188
Mentioned: pp. 92, 97, 105
Mentioned: pp. 46
Mentioned: pp. 441
Mentioned: pp. 445
Mentioned: pp. 138, 200, 206

Illustrated: p. 138 (b/w)
Mentioned: pp. 138, 200
Mentioned: pp. 67, 92, 105, 123, 275, 282, 441
Mentioned: pp. 138, 154

Illustrated: p. 138, 139 (b/w)
Mentioned: pp. 138, 157, 441

Illustrated: p. 138, 154 (b/w)
Mentioned: pp. 138, 140, 441
Mentioned: pp. 138

Illustrated: p. 138 (b/w)
Mentioned: pp. 138, 441
Discussed: pp. 140

Illustrated: p. 138 (b/w)
Mentioned: pp. 138, 140, 276, 441
Mentioned: pp. 138, 441

Illustrated: p. 154 (b/w)
Mentioned: pp. 138, 140, 145, 200, 441
Mentioned: pp. 188, 441, 444
Discussed: pp. 190
Mentioned: pp. 188, 200
Discussed: pp. 190
Mentioned: pp. 67, 94, 105, 123, 124
Mentioned: pp. 142, 153, 154, 287, 322, 346, 390, 430
Discussed: pp. 147, 148, 191
Illustrated: p. 149, 154 (colour)
Mentioned: pp. 190, 206
Mentioned: pp. 444
Mentioned: pp. 190
Discussed: pp. 188, 190

Illustrated: p. 189 (b/w)
Mentioned: pp. 188, 190
Mentioned: pp. 188
Mentioned: pp. 158, 433
Mentioned: pp. 156
Discussed: pp. 201
Mentioned: pp. 67, 95
Mentioned: pp. 153
Discussed: pp. 200, 201, 203
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Mentioned: pp. 153, 270, 272, 449
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Mentioned: pp. 200, 250, 277, 444
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Mentioned: pp. 201, 250

Illustrated: p. 202 (b/w)
Mentioned: pp. 444
Mentioned: pp. 250, 444
Discussed: pp. 203
Mentioned: pp. 250, 444
Discussed: pp. 203
Mentioned: pp. 250, 444
Discussed: pp. 203

Gerhard Richter has been widely regarded as a publicity shy artist. However, the biography Gerhard Richter, Maler gives an insight into Richter’s personal history as well as into the development of his artistic œuvre.
Besides an evaluation of numerous letters and material from the Gerhard Richter archive, the book includes conversations with the artist as well as several of his contemporaries. Dietmar Elger, director of the Gerhard Richter Archive, describes Richter’s daily studio routine and his creative process. Thanks to detailed background information, this book contributes to an understanding of Richter’s art in connection with his life.

...
More Details
Gerhard Richter, Maler Elger, Dietmar 2002

Issue

01 January 1989

Publisher

Verlag Fred Jahn, München

Details

Hardback , 236 pages

Category

Solo Exhibitions
Artwork Mentioned: pp. 17
Mentioned: pp. 17
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Discussed: pp. 13
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Mentioned: pp. 11
Mentioned: pp. 13
Mentioned: pp. 17

Exhibitions

Gerhard Richter: Atlas Zweite, Armin 1989

Issue

01 January 1989

Publisher

Museum Boymans-van Beuningen, Rotterdam

Details

Softcover , 166 pages

ISBN

9069180464

Category

Solo Exhibitions
Artwork Mentioned: pp. 23, 24
Discussed: pp. 18, 19, 20

Illustrated: p. 18 (b/w)
Mentioned: pp. 20, 21, 32, 33, 40, 41
Discussed: pp. 29, 30
Mentioned: pp. 20, 21
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Mentioned: pp. 21, 22, 23, 24
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Mentioned: pp. 160

Illustrated: p. 45 (b/w)
Mentioned: pp. 21, 22, 23, 24

Illustrated: p. 23 (b/w)
Discussed: pp. 23, 24

Illustrated: p. 24 (b/w)
Mentioned: pp. 160

Illustrated: p. 47 (b/w)
Discussed: pp. 23, 24
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Illustrated: p. 25 (b/w)
Discussed: pp. 23, 24
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Mentioned: pp. 25, 26

Illustrated: p. 27 (b/w)
Discussed: pp. 23, 24
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Illustrated: p. 26 (b/w)
Mentioned: pp. 25, 26
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Illustrated: p. 28 (b/w)
Mentioned: pp. 25, 26
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Mentioned: pp. 32, 33, 36, 37
Discussed: pp. 29, 30
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Discussed: pp. 29, 30
Mentioned: pp. 32, 33, 36, 37
Discussed: pp. 29, 30
Mentioned: pp. 32, 33, 36, 37
Discussed: pp. 29, 30
Mentioned: pp. 25, 26

Exhibitions

Gerhard Richter 1988/89 Schampers, Karel / Tilroe, Anna / Buchloh, Benjamin H. D. 1989

Issue

01 January 1996

Publisher

Hatje Cantz Verlag, Ostfildern-Ruit

Details

Hardback , 153 pages

ISBN

3893228519

Category

Solo Exhibitions
Artwork Illustrated: p. 19 (colour)
Illustrated: p. 21 (colour)
Illustrated: p. 27 (colour)
Discussed: pp. 12, 13
Illustrated: p. 29 (colour)
Illustrated: p. 30 (colour)
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Illustrated: p. 35 (colour)
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Discussed: pp. 12, 13
Illustrated: p. 75 (colour)
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Discussed: pp. 145
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Discussed: pp. 5, 137
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Mentioned: pp. 12, 133
Illustrated: p. 23 (colour)

Exhibitions

Designed by the artist himself, this publication gives a rare insight into one of the most intensive work periods (1995–1996) of Richter’s life.

 

It commences by introducing pictures, which having been kept in the artist’s studio had never been on view. Although mostly focussing on abstract works, an intimate cycle of eight photo paintings in a smaller format is also included: an autobiographic cycle depicting his third wife Sabine Moritz, a painter herself, and their first son Moritz in a Madonna-like pose.

...
More Details
Gerhard Richter. 100 Bilder Obrist, Hans Ulrich / Pelzer, Birgit / Tosatto, Guy 1996

Issue

01 January 2008

Publisher

Hatje Cantz Verlag, Ostfildern-Ruit

Details

Hardback , 160 pages

ISBN

3775722483

Category

Solo Exhibitions
Artwork Discussed: pp. 137, 138
Discussed: pp. 136
Discussed: pp. 136
Mentioned: pp. 37
Illustrated: p. 39 (colour)
Discussed: pp. 136
Discussed: pp. 137, 138
Illustrated: p. 51 (colour)
Illustrated: p. 47 (colour)
Illustrated: p. 49 (colour)
Discussed: pp. 20, 21, 36, 37
Illustrated: p. 54 (colour)
Discussed: pp. 20, 21
Illustrated: p. 55 (colour)
Illustrated: p. 53 (colour)
Illustrated: p. 58 (colour)
Illustrated: p. 59 (colour)
Illustrated: p. 61 (colour)
Illustrated: p. 57 (colour)
Illustrated: p. 60 (colour)
Illustrated: p. 64 (colour)
Illustrated: p. 65 (colour)
Illustrated: p. 63 (colour)
Illustrated: p. 71 (colour)
Discussed: pp. 38
Illustrated: p. 69 (colour)
Discussed: pp. 41, 42
Illustrated: p. 67 (colour)
Illustrated: p. 68 (colour)
Mentioned: pp. 33
Mentioned: pp. 33
Mentioned: pp. 33
Mentioned: pp. 33
Mentioned: pp. 33
Mentioned: pp. 33
Mentioned: pp. 33
Mentioned: pp. 33
Mentioned: pp. 33
Mentioned: pp. 33
Mentioned: pp. 33
Mentioned: pp. 33
Mentioned: pp. 33
Mentioned: pp. 33
Mentioned: pp. 33
Illustrated: p. 72 (colour)
Mentioned: pp. 20
Illustrated: p. Cover, 73 (colour)
Illustrated: p. 75 (colour)
Illustrated: p. 76, 77 (colour)
Illustrated: p. 79 (colour)
Illustrated: p. 80 (colour)
Illustrated: p. 81 (colour)
Illustrated: p. 82, 83 (colour)
Mentioned: pp. 20
Illustrated: p. 84, 85 (colour)
Illustrated: p. 86, 87 (colour)
Illustrated: p. 88, 89 (colour)
Illustrated: p. 90 (colour)
Illustrated: p. 91 (colour)
Mentioned: pp. 20
Illustrated: p. 92 (colour)
Illustrated: p. 93 (colour)
Illustrated: p. 95 (colour)
Illustrated: p. 94 (colour)
Illustrated: p. 96 (colour)
Illustrated: p. 97 (colour)
Illustrated: p. 98 (colour)
Illustrated: p. 99 (colour)
Mentioned: pp. 43
Discussed: pp. 40
Mentioned: pp. 43
Discussed: pp. 40
Mentioned: pp. 43
Discussed: pp. 40
Illustrated: p. 40 (colour)
Mentioned: pp. 43
Discussed: pp. 40
Illustrated: p. 103 (colour)
Illustrated: p. 101 (colour)
Discussed: pp. 139, 140, 141, 142, 146
Illustrated: p. 147 (colour)
Illustrated: p. 119 (colour)
Mentioned: pp. 8
Mentioned: pp. 8
Mentioned: pp. 8
Mentioned: pp. 8
Mentioned: pp. 20
Illustrated: p. 106 (colour)
Mentioned: pp. 20
Illustrated: p. 107 (colour)
Mentioned: pp. 20
Illustrated: p. 108 (colour)
Mentioned: pp. 20
Illustrated: p. 109 (colour)
Mentioned: pp. 20
Illustrated: p. 110 (colour)
Mentioned: pp. 20
Illustrated: p. 111 (colour)
Mentioned: pp. 20
Illustrated: p. 112 (colour)
Mentioned: pp. 20
Illustrated: p. 113 (colour)
Mentioned: pp. 20
Illustrated: p. 114 (colour)
Mentioned: pp. 20
Illustrated: p. 115 (colour)
Mentioned: pp. 20
Illustrated: p. 116 (colour)
Mentioned: pp. 20
Illustrated: p. 117 (colour)
Illustrated: p. 129 (colour)
Mentioned: pp. 8
Discussed: pp. 14, 15
Mentioned: pp. 8
Discussed: pp. 14, 15
Mentioned: pp. 8, 14
Discussed: pp. 15
Mentioned: pp. 8
Discussed: pp. 14, 15
Mentioned: pp. 8
Discussed: pp. 14, 15
Mentioned: pp. 8
Discussed: pp. 14, 15
Mentioned: pp. 8
Discussed: pp. 14, 15
Mentioned: pp. 8
Discussed: pp. 14, 15
Mentioned: pp. 8
Discussed: pp. 14, 15
Mentioned: pp. 8
Discussed: pp. 14, 15
Mentioned: pp. 8
Discussed: pp. 14, 15
Mentioned: pp. 8
Discussed: pp. 14, 15
Mentioned: pp. 8
Discussed: pp. 14, 15
Mentioned: pp. 8
Discussed: pp. 14, 15

Exhibitions

The book was published on the occasion of the exhibition Gerhard Richter. Abstrakte Bilder at Museum Ludwig, Cologne and Haus der Kunst, Munich. The exhibitions were dedicated to Gerhard Richter’s abstract pictures, which form approximately one third of his œuvre.

However, this publication is not an overview of the development of his abstract works, but rather singles out selected large format works for discussion. These works, executed between 1986 and 2006, show a similar complexity that originates from a multitude of layers of paint.

Edited by Ulrich Wilmes, with text contributions by Benjamin H.D. Buchloh, Beate Söntgen and Gregor Stemmrich.

...
More Details
Gerhard Richter: Abstrakte Bilder Wilmes, Ulrich / Buchloh, Benjamin H. D. / Söntgen, Beate / Stemmrich, Gregor 2008

Issue

01 January 2009

Publisher

Kulturstiftung der Länder in Verbindung mit dem Gerhard Richter Archiv, Staatliche Kunstsammlungen, Dresden

Details

Softcover , 32 pages

Category

Monographs
Artwork Mentioned: pp. 16
Mentioned: pp. 16
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 16
Mentioned: pp. 10, 16, 19
Discussed: pp. 17
Illustrated: p. 11 (colour)
Mentioned: pp. 16
Mentioned: pp. 14
Mentioned: pp. 10, 16
Discussed: pp. 17
Illustrated: p. 12 (colour)
Mentioned: pp. 18
Mentioned: pp. 16, 17, 18
Mentioned: pp. 17
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
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Mentioned: pp. 18
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Mentioned: pp. 18
Mentioned: pp. 18
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Mentioned: pp. 18
Mentioned: pp. 18
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Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 14
Mentioned: pp. 20, 22, 24
Discussed: pp. 14, 19
Illustrated: p. 15 (colour)
Mentioned: pp. 18, 24
Mentioned: pp. 18, 24
Mentioned: pp. 18, 24
Mentioned: pp. 18, 24
Mentioned: pp. 18, 24
Mentioned: pp. 18, 24
Mentioned: pp. 18, 24
Mentioned: pp. 18, 24
Mentioned: pp. 18
Mentioned: pp. 4, 5, 7, 9, 16, 24, 26
Discussed: pp. 14, 20, 21, 22, 23
Illustrated: p. Cover, 8 (colour)
Mentioned: pp. 20
Illustrated: p. 20 (colour)
Mentioned: pp. 24
Discussed: pp. 20, 22
Illustrated: p. 21 (colour)
Mentioned: pp. 22
Mentioned: pp. 22

Illustrated: p. 28 (b/w)
Mentioned: pp. 16
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 6
Mentioned: pp. 6
Mentioned: pp. 6
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 17
Mentioned: pp. 17, 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 30
Mentioned: pp. 30
Mentioned: pp. 30
Mentioned: pp. 30
Mentioned: pp. 30
Mentioned: pp. 30

This issue of the Patrimonia series was published on the occasion of the acquisition of the painting Portrait Dr. Knobloch of 1964 by Staatliche Kunstsammlungen Dresden in 2009. The history of the painting’s origin, which was one of Gerhard Richter’s first commissioned portraits, is analysed in context of his other early portraits. The portraits after passport photos are highlighted especially and compared with portraits by Andy Warhol.

Text contribution by Dietmar Elger, director of the Gerhard Richter Archive Dresden.

...
More Details
Gerhard Richter. Porträt Dr. Knobloch (Patrimonia 344) Elger, Dietmar / Roth, Martin / Stange, Eva-Maria 2009

Issue

01 January 1996

Publisher

Hatje Cantz, Ostfildern-Ruit

Details

Hardback , 153 pages

ISBN

3775791000

Category

Solo Exhibitions
Artwork Mentioned: pp. 133, 134
Illustrated: p. 17 (colour)
Illustrated: p. 18 (colour)
Mentioned: pp. 140
Mentioned: pp. 140
Illustrated: p. 19 (colour)
Mentioned: pp. 13, 143
Illustrated: p. 20 (colour)
Illustrated: p. 21 (colour)
Mentioned: pp. 11, 12, 133
Illustrated: p. 23 (colour)
Mentioned: pp. 139
Illustrated: p. 24 (colour)
Mentioned: pp. 143
Illustrated: p. 25 (colour)
Mentioned: pp. 148
Mentioned: pp. 148
Mentioned: pp. 148
Mentioned: pp. 148
Mentioned: pp. 148
Mentioned: pp. 148
Mentioned: pp. 148
Mentioned: pp. 148
Mentioned: pp. 148
Mentioned: pp. 148
Mentioned: pp. 148
Mentioned: pp. 148
Mentioned: pp. 148
Mentioned: pp. 148
Illustrated: p. 26 (colour)
Illustrated: p. 27 (colour)
Illustrated: p. 29 (colour)
Illustrated: p. 30 (colour)
Illustrated: p. 31 (colour)
Mentioned: pp. 139
Illustrated: p. 32 (colour)
Mentioned: pp. 139
Mentioned: pp. 139
Illustrated: p. 33 (colour)
Illustrated: p. 35 (colour)
Mentioned: pp. 134
Illustrated: p. 37 (colour)
Illustrated: p. 38 (colour)
Illustrated: p. 39 (colour)
Illustrated: p. 41 (colour)
Illustrated: p. 40 (colour)
Illustrated: p. 42 (colour)
Illustrated: p. 43 (colour)
Mentioned: pp. 141
Illustrated: p. 44 (colour)
Mentioned: pp. 139
Illustrated: p. 45 (colour)
Illustrated: p. 46 (colour)
Illustrated: p. 47 (colour)
Mentioned: pp. 139
Illustrated: p. 48 (colour)
Mentioned: pp. 139
Illustrated: p. 49 (colour)
Illustrated: p. 51 (colour)
Illustrated: p. 52 (colour)
Illustrated: p. 53 (colour)
Mentioned: pp. 14, 15, 139
Illustrated: p. 55 (colour)
Mentioned: pp. 142, 144
Illustrated: p. 56 (colour)
Illustrated: p. 57 (colour)
Illustrated: p. 58 (colour)
Illustrated: p. 59 (colour)
Illustrated: p. 60 (colour)
Illustrated: p. 62 (colour)
Illustrated: p. 63 (colour)
Mentioned: pp. 14, 15, 139
Illustrated: p. 65 (colour)
Illustrated: p. 66 (colour)
Illustrated: p. 67 (colour)
Illustrated: p. 68 (colour)
Mentioned: pp. 139
Illustrated: p. 69 (colour)
Mentioned: pp. 142
Illustrated: p. 70 (colour)
Illustrated: p. 71 (colour)
Mentioned: pp. 142, 144
Illustrated: p. 72 (colour)
Mentioned: pp. 142, 144
Illustrated: p. 73 (colour)
Illustrated: p. 78 (colour)
Illustrated: p. 79 (colour)
Illustrated: p. 80 (colour)
Illustrated: p. 81 (colour)
Illustrated: p. 74 (colour)
Illustrated: p. 75 (colour)
Illustrated: p. 76 (colour)
Illustrated: p. 77 (colour)
Mentioned: pp. 139
Illustrated: p. 83 (colour)
Mentioned: pp. 5, 139
Illustrated: p. 84 (colour)
Mentioned: pp. 5, 139
Illustrated: p. 85 (colour)
Mentioned: pp. 5, 139
Illustrated: p. 86 (colour)
Mentioned: pp. 5, 139
Illustrated: p. 87 (colour)
Mentioned: pp. 5, 139
Illustrated: p. 88 (colour)
Mentioned: pp. 5, 139
Illustrated: p. 89 (colour)
Mentioned: pp. 5, 139
Illustrated: p. 90 (colour)
Mentioned: pp. 5, 139
Illustrated: p. 91 (colour)
Illustrated: p. 92 (colour)
Illustrated: p. 93 (colour)
Illustrated: p. 94 (colour)
Illustrated: p. 95 (colour)
Illustrated: p. 104 (colour)
Illustrated: p. 105 (colour)
Illustrated: p. 106 (colour)
Illustrated: p. 107 (colour)
Illustrated: p. 96 (colour)
Illustrated: p. 97 (colour)
Illustrated: p. 98 (colour)
Illustrated: p. 99 (colour)
Illustrated: p. 100 (colour)
Illustrated: p. 101 (colour)
Illustrated: p. 102 (colour)
Illustrated: p. 103 (colour)
Illustrated: p. 109 (colour)

Exhibitions

Designed by the artist himself, this publication gives a rare insight into one of the most intensive work periods (1995–1996) of Richter’s life.

 

It commences by introducing pictures, which having been kept in the artist’s studio had never been on view. Although mostly focussing on abstract works, an intimate cycle of eight photo paintings in a smaller format is also included: an autobiographic cycle depicting his third wife Sabine Moritz, a painter herself, and their first son Moritz in a Madonna-like pose.

...
More Details
Gerhard Richter. 100 Pictures Obrist, Hans Ulrich / Pelzer, Birgit / Tosatto, Guy 1996

Issue

01 January 2008

Publisher

Hatje Cantz Verlag, Ostfildern-Ruit

Details

Hardback , 160 pages

ISBN

9783775722490

Category

Solo Exhibitions
Artwork Discussed: pp. 137, 138
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Mentioned: pp. 38
Illustrated: p. 39 (colour)
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136

Exhibitions

The book was published on the occasion of the exhibition Gerhard Richter. Abstrakte Bilder at Museum Ludwig, Cologne and Haus der Kunst, Munich. The exhibitions were dedicated to Gerhard Richter’s abstract pictures, which form approximately one third of his œuvre.

However, this publication is not an overview of the development of his abstract works, but rather singles out selected large format works for discussion. These works, executed between 1986 and 2006, show a similar complexity that originates from a multitude of layers of paint.

Edited by Ulrich Wilmes, with text contributions by Benjamin H. D. Buchloh, Beate Söntgen and Gregor Stemmrich.

...
More Details
Gerhard Richter. Large Abstracts Wilmes, Ulrich / Buchloh, Benjamin H. D. / Söntgen, Beate / Stemmrich, Gregor 2008

Issue

01 January 2006

Publisher

Verlag der Buchhandlung Walther König, Köln

Details

Hardback , 862 pages

ISBN

9783883758015

Category

Monographs

Notes

Encyclopedic new edition that completely revises and updates the 1997 edition and includes 147 additional plates.

Artwork Mentioned: pp. 853
Mentioned: pp. 853
Mentioned: pp. 853
Mentioned: pp. 853
Mentioned: pp. 853
Mentioned: pp. 853
Mentioned: pp. 853
Mentioned: pp. 9
Mentioned: pp. 9
Mentioned: pp. 9
Mentioned: pp. 9, 853
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Mentioned: pp. 9, 853
Mentioned: pp. 9, 853
Mentioned: pp. 9, 853
Mentioned: pp. 10
Mentioned: pp. 10
Mentioned: pp. 8, 850, 853
Mentioned: pp. 8, 850, 853
Mentioned: pp. 8, 850, 853
Mentioned: pp. 8, 850, 853
Mentioned: pp. 8, 850, 853
Mentioned: pp. 8, 850, 853
Mentioned: pp. 8, 850, 853
Mentioned: pp. 8, 850, 853
Mentioned: pp. 8, 850, 853
Mentioned: pp. 8, 850, 853
Mentioned: pp. 8, 850, 853
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Mentioned: pp. 11, 853
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Mentioned: pp. 853

At 864 pages, this monumental and comprehensive publication maps the ideas, processes, life and times of Gerhard Richter. Conceived and closely edited by Richter himself, Atlas cuts straight to the heart of the artist's work, collecting more than 5,000 photographs, drawings and sketches that he has compiled or created since the moment of his creative breakthrough in 1962. The images closely parallel, year by year, the subjects of Richter's paintings, revealing the orderly but open-ended analysis that has been so central to his art.
Offering invaluable insight into Richter's working process, this encyclopedic new edition - which completely revises and updates the rare, out-of-print 1997 edition and includes 147 additional plates - features 780 multi-image panels, each reproduced full page and in full colour.

...
More Details
Gerhard Richter. Atlas Friedel, Helmut 2006

Issue

01 January 2005

Publisher

Wako Works of Art, Tokyo

Details

Hardback , 279 pages

ISBN

4473032558

Category

Monographs

Notes

Revised edition of 'Texte. Schriften und Interviews', first published in 1993.

Artwork Illustrated: p. 15 (colour)
Illustrated: p. 15 (colour)
Illustrated: p. 24 (colour)
Illustrated: p. 23 (colour)
Illustrated: p. 23 (colour)
Illustrated: p. 22 (colour)
Illustrated: p. 22 (colour)
Illustrated: p. 21 (colour)
Illustrated: p. 20 (colour)
Illustrated: p. 20 (colour)
Illustrated: p. 18 (colour)
Illustrated: p. 19 (colour)
Illustrated: p. 18 (colour)
Illustrated: p. 17 (colour)
Illustrated: p. 16 (colour)
Illustrated: p. 16 (colour)
Illustrated: p. 14 (colour)
Illustrated: p. 13 (colour)
Illustrated: p. 13 (colour)
Illustrated: p. 12 (colour)
Illustrated: p. 11 (colour)
Illustrated: p. 11 (colour)
Illustrated: p. 10 (colour)
Illustrated: p. 10 (colour)
Illustrated: p. 9 (colour)

Illustrated: p. 223 (b/w)

Illustrated: p. 223 (b/w)

Illustrated: p. 205 (b/w)

Illustrated: p. 205 (b/w)

Illustrated: p. 199 (b/w)

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Illustrated: p. 173 (b/w)

Illustrated: p. 155 (b/w)

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Illustrated: p. 155 (b/w)

Illustrated: p. 147 (b/w)

Illustrated: p. 147 (b/w)

Illustrated: p. 135 (b/w)

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Illustrated: p. 113 (b/w)

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Illustrated: p. 92 (b/w)

Illustrated: p. 92 (b/w)

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Texte: Schriften und Interviews: Revised and Enlarged Edition Richter, Gerhard / Shimizu, Minoru 2005

Issue

01 January 2003

Publisher

The Museum of Modern Art New York, New York, NY

Details

Hardback , 351 pages

ISBN

0870707000, 9780870707001

Category

Group Exhibitions
Artwork Mentioned: pp. 303

Illustrated: p. 312 (b/w)
Mentioned: pp. 303

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Mentioned: pp. 304

Illustrated: p. 322 (b/w)