Out of Time: A Contemporary View

Out of Time: A Contemporary View

The Museum of Modern Art (MoMA)New YorkUSA

30 August 2006 - 09 April 2007

Confrontation 1

Gegenüberstellung 1
Confrontation 1

1988 112 cm x 102 cm Catalogue Raisonné: 671-1

Oil on canvas

The three paintings entitled Confrontation 1 to 3 [CR: 671/1-3] depict Gudrun Ensslin, a German terrorist of the Red Army Faction (RAF). The paintings are based on photographs that were taken after the detention of Ensslin on 7th June 1972 in the prison of Essen. The Heidelberg based photographer Franz Ruch had reproduced them, as other police photographs, for the magazine stern[1]. The label with the number 1 that Ensslin holds in her hands in the original photograph indicates that the subject is a police lineup. For the painterly execution Richter chose three of the four photographs and trimmed them heavily: While the photographs show full-body shots, the paintings focus on the head and upper body of Gudrun Ensslin and are executed approximately life-sized. Any information that could indicate the situation are completely obscured[2]. Richter himself described the paintings as “… neutral (almost like pop stars).“[3]

 

The affiliation of the paintings is made clear by the coherent formats and the similar painting technique but there are also differences. The first painting [CR: 671-1] appears to be the least distinct because the contrasts are less elaborate, and Richter’s characteristic blurring is more pronounced. The second painting [CR: 671-2] shows the smiling face of Ensslin, clearer than the first one. On the third image [CR: 671-3] Ensslin’s gaze is cast down, the black hair and the dark clothing appear more serious and sober than in the preceding paintings.   

 

The sequential paintings, remindful of a film sequence, create a moving impression that is underlined by Richter’s blurring[4]. The immanent movement pushes the viewer into the position of a witness and it becomes clear that these paintings, stronger than any of the others, only reach their full potential as a series[5].

 

Especially on the first painting of the series the horizontal blurring recalls photographic motion blurs. Compared to other works in the cycle however the images appear to be more focused and use more contrasts, unlike the series showing the dead terrorists that become increasingly blurry. Thus, the not depicted suicide is alluded to without explicitly having to show it. The imagery suggests her impending death while simultaneously contradicting it by creating a movement and connection between the three paintings[6]. This is emphasized by the lighting that always comes from the right while the left side lies in shadows, effectively making Gudrun Ensslin move from dark to light[7]. Nonetheless, especially the last painting showing Ensslin with her bowed head gives an impression of hopelessness and hints at her fate that has already been decided and that she is walking to meet now[8].

 

The title not only refers to the circumstances of the police lineup but also hints at the confrontation between Ensslin and the viewer. Richter seeks a meeting of the observer and the human Gudrun Ensslin, not the terrorist and is therefore working to involve the viewer in the events. Ensslin appears to be open-minded and almost likeable reacting spontaneously to the people observing her. Knowing about her past (and future) creates a complex web of ambiguous feelings that Richter also acknowledged in an interview: “… at the time I had no sympathy for the ideas, or for the ideology that these people represented. I couldn’t understand, but I was still impressed. Like everyone, I was touched.”[9] This inherent fascination while still condemning the actions of the RAF can be perceived especially well in these three images. It becomes clear that contradictions and ambiguities are central parts of the human existence and that nobody, not even the viewer, stands above them. Rather the observer is invited to identify with Ensslin while examining the paintings and their intimate atmosphere, posing the question to what extent all of us would be capable of similar acts[10].



[1] Ortrud Westheider, “Eine Idee, die bis zum Tod geht. Der Zyklus 18. Oktober 1977“, in: Uwe M. Schneede (ed.), Gerhard Richter. Bilder einer Epoche, exh. cat. Bucerius Kunst-Forum, Munich, 2011, p. 159.

[2] Robert Storr (ed.), Gerhard Richter. October 18, 1977, The Museum of Modern Art, New York, 2000, pp. 106-107.

[3] Notes for a press conference, November-December (held at Museum Esters, Krefeld, February 1989), 1988 (translated by David Britt) in: Gerhard Richter. Text. Text, Writings and Letters 1961-2007, Thames & Hudson, London, 2009, p. 203.

[4] Storr 2000, p. 106.

[5] Kai-Uwe Hemken, Gerhard Richter 18. Oktober 1977, insel, Frankfurt/Leipzig, 1998, p. 68.

[6] Achim Borchardt-Hume, “’Dreh Dich nicht um’ – Richters Bilder aus den späten 1980er-Jahren“ in: Mark Godfrey, Nicholas Serota, Dorothée Brill, Camille Morineau (ed.), Gerhard Richter. Panorama, exh. cat. Neue Nationalgalerie Berlin, Munich, 2012, p. 170.

[7] Martin Henatsch, Gerhard Richter – 18. Oktober 1977. Das verwischte Bild der Geschichte, Fischer, Frankfurt, 1998, p. 76-77.

[8] Birgit Richard, Todesbilder. Kunst, Subkultur, Medien, Wilhelm Fink, Munich, 1995, p. 233.

[9] Interview with Gregorio Magnani, 1989 in: Gerhard Richter. Text. Writings, Interviews and Letters 1961-2007, Thames & Hudson, London, 2009, p. 221.

[10] Borchardt-Hume 2012, p. 170.

 

Notes prepared by editorial team

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Published on the occasion of the exhibition Gerhard Richter. 40 Years of Painting at the Museum of Modern Art, New York, this publication represents a broad range of Gerhard Richter's paintings of the last 40 years.

 

Gerhard Richter's diverse body of work questions broadly held attitudes about the inherent importance of stylistic consistency for an artist. It ranges from photo-based pictures all across the board to gestural abstraction. The 'natural' evolution of individual artistic sensibility, the spontaneous component of creativity and the relationship of technological means and mass media imagery to traditional studio methods and formats. Richter has always kept his distance from revolutionaries and conservatives alike regarding what painting “should” be. This has resulted in what has been among the most convincing renewal of painting's vitality in late 20th- and early 21st-century art.

 

This publication consists of a critical essay by curator Robert Storr, a rare interview with the artist himself, a chronology, an exhibition history, and nearly 300 colour and duotone reproductions.

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Gerhard Richter is widely recognized as one of the most significant painters working today, and he is certainly among the most influential. He has worked in a wide range of media since the early 1960s, producing abstractions, landscapes, images derived from the mass media and from other photographs, and more. Seen together, these works call into question such widely held assumptions as the importance of stylistic consistency, individual artistic sensibility and spontaneous creativity. They also explore the impact of technology and media imagery on the traditional methods and formats of painting.

The Museum of Modern Art has published two important books on Richter, both written by Robert Storr: one covering forty years of his work, and published to accompany the Museum's large retrospective of his work in 2002, and one focusing on a single crucial series, October 18, 1977. This book brings together the essays and recent interviews from both of those books in a single volume.

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Issue

01 January 1991

Publisher

Verlag der Buchhandlung Walther König, Köln

Details

Softcover , 64 pages

ISBN

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Monographs
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Zu Richters Oktober-Bildern Butin, Hubertus 1991

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01 January 2002

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Discussed: pp. 60, 61, 62, 63
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Discussed: pp. 63, 64
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Mentioned: pp. 27
Discussed: pp. 65
Illustrated: p. 177 (colour)
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Illustrated: p. 126 (colour)
Mentioned: pp. 14
Discussed: pp. 69
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Illustrated: p. 188 (colour)
Illustrated: p. 198 (colour)
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Illustrated: p. 204, 205 (colour)
Mentioned: pp. 79
Discussed: pp. 78
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Discussed: pp. 78
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Discussed: pp. 78
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Mentioned: pp. 34, 92, 292, 293
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Discussed: pp. 294
Illustrated: p. 128 (colour)
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Illustrated: p. 141 (colour)
Discussed: pp. 79
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Discussed: pp. 79, 80
Illustrated: p. 80 (colour)
Mentioned: pp. 32
Discussed: pp. 35
Illustrated: p. 32 (colour)

Exhibitions

Published on the occasion of the exhibition Gerhard Richter. 40 Years of Painting at the Museum of Modern Art, New York, this publication represents a broad range of Gerhard Richter's paintings of the last 40 years.

 

Gerhard Richter's diverse body of work questions broadly held attitudes about the inherent importance of stylistic consistency for an artist. It ranges from photo-based pictures all across the board to gestural abstraction. The 'natural' evolution of individual artistic sensibility, the spontaneous component of creativity and the relationship of technological means and mass media imagery to traditional studio methods and formats. Richter has always kept his distance from revolutionaries and conservatives alike regarding what painting “should” be. This has resulted in what has been among the most convincing renewal of painting's vitality in late 20th- and early 21st-century art.

 

This publication consists of a critical essay by curator Robert Storr, a rare interview with the artist himself, a chronology, an exhibition history, and nearly 300 colour and duotone reproductions.

...
More Details
Gerhard Richter. Malerei Storr, Robert 2002

Issue

01 January 2002

Publisher

DuMont, Köln

Details

Hardback , 420 pages

ISBN

9783832158484

Category

Monographs
Artwork Mentioned: pp. 95, 108, 206, 210, 274, 348, 355, 425
Discussed: pp. 60, 62, 64

Illustrated: p. 63 (b/w)
Mentioned: pp. 94, 105
Discussed: pp. 164
Discussed: pp. 172

Illustrated: p. 174 (b/w)
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Illustrated: p. 130 (b/w)
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Illustrated: p. 165 (b/w)
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Discussed: pp. 204

Illustrated: p. 109 (b/w)
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Illustrated: p. 154 (b/w)
Mentioned: pp. 164
Mentioned: pp. 90, 163, 274, 444
Discussed: pp. 148, 149
Mentioned: pp. 142, 163, 168, 185, 198, 200, 283, 425
Discussed: pp. 144, 145, 147, 408, 411
Illustrated: p. 146 (colour)
Discussed: pp. 185, 186, 188
Discussed: pp. 185, 186, 188
Mentioned: pp. 206
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Illustrated: p. 186, 187 (colour) (colour)
Mentioned: pp. 282
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Illustrated: p. 186 (colour)
Discussed: pp. 185, 186, 188
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Illustrated: p. 186 (b/w)
Discussed: pp. 185, 186, 188

Illustrated: p. 186 (b/w)
Mentioned: pp. 196
Discussed: pp. 185, 186, 188

Illustrated: p. 186 (b/w)
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Discussed: pp. 185, 186, 188

Illustrated: p. 197 (b/w)
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Discussed: pp. 185, 186, 188
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Discussed: pp. 185, 186, 188
Mentioned: pp. 92, 97, 105
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Mentioned: pp. 138, 200, 206

Illustrated: p. 138 (b/w)
Mentioned: pp. 138, 200
Mentioned: pp. 67, 92, 105, 123, 275, 282, 441
Mentioned: pp. 138, 154

Illustrated: p. 138, 139 (b/w)
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Illustrated: p. 138, 154 (b/w)
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Discussed: pp. 140

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Illustrated: p. 154 (b/w)
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Discussed: pp. 190
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Mentioned: pp. 142, 153, 154, 287, 322, 346, 390, 430
Discussed: pp. 147, 148, 191
Illustrated: p. 149, 154 (colour)
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Discussed: pp. 188, 190

Illustrated: p. 189 (b/w)
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Discussed: pp. 201
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Illustrated: p. 202 (b/w)
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Discussed: pp. 203
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Discussed: pp. 203

Gerhard Richter has been widely regarded as a publicity shy artist. However, the biography Gerhard Richter, Maler gives an insight into Richter’s personal history as well as into the development of his artistic œuvre.
Besides an evaluation of numerous letters and material from the Gerhard Richter archive, the book includes conversations with the artist as well as several of his contemporaries. Dietmar Elger, director of the Gerhard Richter Archive, describes Richter’s daily studio routine and his creative process. Thanks to detailed background information, this book contributes to an understanding of Richter’s art in connection with his life.

...
More Details
Gerhard Richter, Maler Elger, Dietmar 2002

Issue

01 January 1989

Publisher

Verlag Fred Jahn, München

Details

Hardback , 236 pages

Category

Solo Exhibitions
Artwork Mentioned: pp. 17
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Mentioned: pp. 17

Exhibitions

Gerhard Richter: Atlas Zweite, Armin 1989

Issue

01 January 1989

Publisher

Museum Boymans-van Beuningen, Rotterdam

Details

Softcover , 166 pages

ISBN

9069180464

Category

Solo Exhibitions
Artwork Mentioned: pp. 23, 24
Discussed: pp. 18, 19, 20

Illustrated: p. 18 (b/w)
Mentioned: pp. 20, 21, 32, 33, 40, 41
Discussed: pp. 29, 30
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Mentioned: pp. 160

Illustrated: p. 45 (b/w)
Mentioned: pp. 21, 22, 23, 24

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Discussed: pp. 23, 24

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Mentioned: pp. 160

Illustrated: p. 47 (b/w)
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Illustrated: p. 25 (b/w)
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Illustrated: p. 27 (b/w)
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Discussed: pp. 29, 30
Mentioned: pp. 32, 33, 36, 37
Discussed: pp. 29, 30
Mentioned: pp. 25, 26

Exhibitions

Gerhard Richter 1988/89 Schampers, Karel / Tilroe, Anna / Buchloh, Benjamin H. D. 1989

Issue

01 January 1996

Publisher

Hatje Cantz Verlag, Ostfildern-Ruit

Details

Hardback , 153 pages

ISBN

3893228519

Category

Solo Exhibitions
Artwork Illustrated: p. 19 (colour)
Illustrated: p. 21 (colour)
Illustrated: p. 27 (colour)
Discussed: pp. 12, 13
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Discussed: pp. 12, 13
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Illustrated: p. 131 (colour)
Discussed: pp. 5, 137
Illustrated: p. 129 (colour)
Mentioned: pp. 12, 133
Illustrated: p. 23 (colour)

Exhibitions

Designed by the artist himself, this publication gives a rare insight into one of the most intensive work periods (1995–1996) of Richter’s life.

 

It commences by introducing pictures, which having been kept in the artist’s studio had never been on view. Although mostly focussing on abstract works, an intimate cycle of eight photo paintings in a smaller format is also included: an autobiographic cycle depicting his third wife Sabine Moritz, a painter herself, and their first son Moritz in a Madonna-like pose.

...
More Details
Gerhard Richter. 100 Bilder Obrist, Hans Ulrich / Pelzer, Birgit / Tosatto, Guy 1996

Issue

01 January 2008

Publisher

Hatje Cantz Verlag, Ostfildern-Ruit

Details

Hardback , 160 pages

ISBN

3775722483

Category

Solo Exhibitions
Artwork Discussed: pp. 137, 138
Discussed: pp. 136
Discussed: pp. 136
Mentioned: pp. 37
Illustrated: p. 39 (colour)
Discussed: pp. 136
Discussed: pp. 137, 138
Illustrated: p. 51 (colour)
Illustrated: p. 47 (colour)
Illustrated: p. 49 (colour)
Discussed: pp. 20, 21, 36, 37
Illustrated: p. 54 (colour)
Discussed: pp. 20, 21
Illustrated: p. 55 (colour)
Illustrated: p. 53 (colour)
Illustrated: p. 58 (colour)
Illustrated: p. 59 (colour)
Illustrated: p. 61 (colour)
Illustrated: p. 57 (colour)
Illustrated: p. 60 (colour)
Illustrated: p. 64 (colour)
Illustrated: p. 65 (colour)
Illustrated: p. 63 (colour)
Illustrated: p. 71 (colour)
Discussed: pp. 38
Illustrated: p. 69 (colour)
Discussed: pp. 41, 42
Illustrated: p. 67 (colour)
Illustrated: p. 68 (colour)
Mentioned: pp. 33
Mentioned: pp. 33
Mentioned: pp. 33
Mentioned: pp. 33
Mentioned: pp. 33
Mentioned: pp. 33
Mentioned: pp. 33
Mentioned: pp. 33
Mentioned: pp. 33
Mentioned: pp. 33
Mentioned: pp. 33
Mentioned: pp. 33
Mentioned: pp. 33
Mentioned: pp. 33
Mentioned: pp. 33
Illustrated: p. 72 (colour)
Mentioned: pp. 20
Illustrated: p. Cover, 73 (colour)
Illustrated: p. 75 (colour)
Illustrated: p. 76, 77 (colour)
Illustrated: p. 79 (colour)
Illustrated: p. 80 (colour)
Illustrated: p. 81 (colour)
Illustrated: p. 82, 83 (colour)
Mentioned: pp. 20
Illustrated: p. 84, 85 (colour)
Illustrated: p. 86, 87 (colour)
Illustrated: p. 88, 89 (colour)
Illustrated: p. 90 (colour)
Illustrated: p. 91 (colour)
Mentioned: pp. 20
Illustrated: p. 92 (colour)
Illustrated: p. 93 (colour)
Illustrated: p. 95 (colour)
Illustrated: p. 94 (colour)
Illustrated: p. 96 (colour)
Illustrated: p. 97 (colour)
Illustrated: p. 98 (colour)
Illustrated: p. 99 (colour)
Mentioned: pp. 43
Discussed: pp. 40
Mentioned: pp. 43
Discussed: pp. 40
Mentioned: pp. 43
Discussed: pp. 40
Illustrated: p. 40 (colour)
Mentioned: pp. 43
Discussed: pp. 40
Illustrated: p. 103 (colour)
Illustrated: p. 101 (colour)
Discussed: pp. 139, 140, 141, 142, 146
Illustrated: p. 147 (colour)
Illustrated: p. 119 (colour)
Mentioned: pp. 8
Mentioned: pp. 8
Mentioned: pp. 8
Mentioned: pp. 8
Mentioned: pp. 20
Illustrated: p. 106 (colour)
Mentioned: pp. 20
Illustrated: p. 107 (colour)
Mentioned: pp. 20
Illustrated: p. 108 (colour)
Mentioned: pp. 20
Illustrated: p. 109 (colour)
Mentioned: pp. 20
Illustrated: p. 110 (colour)
Mentioned: pp. 20
Illustrated: p. 111 (colour)
Mentioned: pp. 20
Illustrated: p. 112 (colour)
Mentioned: pp. 20
Illustrated: p. 113 (colour)
Mentioned: pp. 20
Illustrated: p. 114 (colour)
Mentioned: pp. 20
Illustrated: p. 115 (colour)
Mentioned: pp. 20
Illustrated: p. 116 (colour)
Mentioned: pp. 20
Illustrated: p. 117 (colour)
Illustrated: p. 129 (colour)
Mentioned: pp. 8
Discussed: pp. 14, 15
Mentioned: pp. 8
Discussed: pp. 14, 15
Mentioned: pp. 8, 14
Discussed: pp. 15
Mentioned: pp. 8
Discussed: pp. 14, 15
Mentioned: pp. 8
Discussed: pp. 14, 15
Mentioned: pp. 8
Discussed: pp. 14, 15
Mentioned: pp. 8
Discussed: pp. 14, 15
Mentioned: pp. 8
Discussed: pp. 14, 15
Mentioned: pp. 8
Discussed: pp. 14, 15
Mentioned: pp. 8
Discussed: pp. 14, 15
Mentioned: pp. 8
Discussed: pp. 14, 15
Mentioned: pp. 8
Discussed: pp. 14, 15
Mentioned: pp. 8
Discussed: pp. 14, 15
Mentioned: pp. 8
Discussed: pp. 14, 15

Exhibitions

The book was published on the occasion of the exhibition Gerhard Richter. Abstrakte Bilder at Museum Ludwig, Cologne and Haus der Kunst, Munich. The exhibitions were dedicated to Gerhard Richter’s abstract pictures, which form approximately one third of his œuvre.

However, this publication is not an overview of the development of his abstract works, but rather singles out selected large format works for discussion. These works, executed between 1986 and 2006, show a similar complexity that originates from a multitude of layers of paint.

Edited by Ulrich Wilmes, with text contributions by Benjamin H.D. Buchloh, Beate Söntgen and Gregor Stemmrich.

...
More Details
Gerhard Richter: Abstrakte Bilder Wilmes, Ulrich / Buchloh, Benjamin H. D. / Söntgen, Beate / Stemmrich, Gregor 2008

Issue

01 January 2009

Publisher

Kulturstiftung der Länder in Verbindung mit dem Gerhard Richter Archiv, Staatliche Kunstsammlungen, Dresden

Details

Softcover , 32 pages

Category

Monographs
Artwork Mentioned: pp. 16
Mentioned: pp. 16
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 16
Mentioned: pp. 10, 16, 19
Discussed: pp. 17
Illustrated: p. 11 (colour)
Mentioned: pp. 16
Mentioned: pp. 14
Mentioned: pp. 10, 16
Discussed: pp. 17
Illustrated: p. 12 (colour)
Mentioned: pp. 18
Mentioned: pp. 16, 17, 18
Mentioned: pp. 17
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
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Mentioned: pp. 18
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Mentioned: pp. 18
Mentioned: pp. 18
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Mentioned: pp. 18
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Mentioned: pp. 18
Mentioned: pp. 18
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Mentioned: pp. 18
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Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 14
Mentioned: pp. 20, 22, 24
Discussed: pp. 14, 19
Illustrated: p. 15 (colour)
Mentioned: pp. 18, 24
Mentioned: pp. 18, 24
Mentioned: pp. 18, 24
Mentioned: pp. 18, 24
Mentioned: pp. 18, 24
Mentioned: pp. 18, 24
Mentioned: pp. 18, 24
Mentioned: pp. 18, 24
Mentioned: pp. 18
Mentioned: pp. 4, 5, 7, 9, 16, 24, 26
Discussed: pp. 14, 20, 21, 22, 23
Illustrated: p. Cover, 8 (colour)
Mentioned: pp. 20
Illustrated: p. 20 (colour)
Mentioned: pp. 24
Discussed: pp. 20, 22
Illustrated: p. 21 (colour)
Mentioned: pp. 22
Mentioned: pp. 22

Illustrated: p. 28 (b/w)
Mentioned: pp. 16
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 6
Mentioned: pp. 6
Mentioned: pp. 6
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 17
Mentioned: pp. 17, 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 18
Mentioned: pp. 30
Mentioned: pp. 30
Mentioned: pp. 30
Mentioned: pp. 30
Mentioned: pp. 30
Mentioned: pp. 30

This issue of the Patrimonia series was published on the occasion of the acquisition of the painting Portrait Dr. Knobloch of 1964 by Staatliche Kunstsammlungen Dresden in 2009. The history of the painting’s origin, which was one of Gerhard Richter’s first commissioned portraits, is analysed in context of his other early portraits. The portraits after passport photos are highlighted especially and compared with portraits by Andy Warhol.

Text contribution by Dietmar Elger, director of the Gerhard Richter Archive Dresden.

...
More Details
Gerhard Richter. Porträt Dr. Knobloch (Patrimonia 344) Elger, Dietmar / Roth, Martin / Stange, Eva-Maria 2009

Issue

01 January 1996

Publisher

Hatje Cantz, Ostfildern-Ruit

Details

Hardback , 153 pages

ISBN

3775791000

Category

Solo Exhibitions
Artwork Mentioned: pp. 133, 134
Illustrated: p. 17 (colour)
Illustrated: p. 18 (colour)
Mentioned: pp. 140
Mentioned: pp. 140
Illustrated: p. 19 (colour)
Mentioned: pp. 13, 143
Illustrated: p. 20 (colour)
Illustrated: p. 21 (colour)
Mentioned: pp. 11, 12, 133
Illustrated: p. 23 (colour)
Mentioned: pp. 139
Illustrated: p. 24 (colour)
Mentioned: pp. 143
Illustrated: p. 25 (colour)
Mentioned: pp. 148
Mentioned: pp. 148
Mentioned: pp. 148
Mentioned: pp. 148
Mentioned: pp. 148
Mentioned: pp. 148
Mentioned: pp. 148
Mentioned: pp. 148
Mentioned: pp. 148
Mentioned: pp. 148
Mentioned: pp. 148
Mentioned: pp. 148
Mentioned: pp. 148
Mentioned: pp. 148
Illustrated: p. 26 (colour)
Illustrated: p. 27 (colour)
Illustrated: p. 29 (colour)
Illustrated: p. 30 (colour)
Illustrated: p. 31 (colour)
Mentioned: pp. 139
Illustrated: p. 32 (colour)
Mentioned: pp. 139
Mentioned: pp. 139
Illustrated: p. 33 (colour)
Illustrated: p. 35 (colour)
Mentioned: pp. 134
Illustrated: p. 37 (colour)
Illustrated: p. 38 (colour)
Illustrated: p. 39 (colour)
Illustrated: p. 41 (colour)
Illustrated: p. 40 (colour)
Illustrated: p. 42 (colour)
Illustrated: p. 43 (colour)
Mentioned: pp. 141
Illustrated: p. 44 (colour)
Mentioned: pp. 139
Illustrated: p. 45 (colour)
Illustrated: p. 46 (colour)
Illustrated: p. 47 (colour)
Mentioned: pp. 139
Illustrated: p. 48 (colour)
Mentioned: pp. 139
Illustrated: p. 49 (colour)
Illustrated: p. 51 (colour)
Illustrated: p. 52 (colour)
Illustrated: p. 53 (colour)
Mentioned: pp. 14, 15, 139
Illustrated: p. 55 (colour)
Mentioned: pp. 142, 144
Illustrated: p. 56 (colour)
Illustrated: p. 57 (colour)
Illustrated: p. 58 (colour)
Illustrated: p. 59 (colour)
Illustrated: p. 60 (colour)
Illustrated: p. 62 (colour)
Illustrated: p. 63 (colour)
Mentioned: pp. 14, 15, 139
Illustrated: p. 65 (colour)
Illustrated: p. 66 (colour)
Illustrated: p. 67 (colour)
Illustrated: p. 68 (colour)
Mentioned: pp. 139
Illustrated: p. 69 (colour)
Mentioned: pp. 142
Illustrated: p. 70 (colour)
Illustrated: p. 71 (colour)
Mentioned: pp. 142, 144
Illustrated: p. 72 (colour)
Mentioned: pp. 142, 144
Illustrated: p. 73 (colour)
Illustrated: p. 78 (colour)
Illustrated: p. 79 (colour)
Illustrated: p. 80 (colour)
Illustrated: p. 81 (colour)
Illustrated: p. 74 (colour)
Illustrated: p. 75 (colour)
Illustrated: p. 76 (colour)
Illustrated: p. 77 (colour)
Mentioned: pp. 139
Illustrated: p. 83 (colour)
Mentioned: pp. 5, 139
Illustrated: p. 84 (colour)
Mentioned: pp. 5, 139
Illustrated: p. 85 (colour)
Mentioned: pp. 5, 139
Illustrated: p. 86 (colour)
Mentioned: pp. 5, 139
Illustrated: p. 87 (colour)
Mentioned: pp. 5, 139
Illustrated: p. 88 (colour)
Mentioned: pp. 5, 139
Illustrated: p. 89 (colour)
Mentioned: pp. 5, 139
Illustrated: p. 90 (colour)
Mentioned: pp. 5, 139
Illustrated: p. 91 (colour)
Illustrated: p. 92 (colour)
Illustrated: p. 93 (colour)
Illustrated: p. 94 (colour)
Illustrated: p. 95 (colour)
Illustrated: p. 104 (colour)
Illustrated: p. 105 (colour)
Illustrated: p. 106 (colour)
Illustrated: p. 107 (colour)
Illustrated: p. 96 (colour)
Illustrated: p. 97 (colour)
Illustrated: p. 98 (colour)
Illustrated: p. 99 (colour)
Illustrated: p. 100 (colour)
Illustrated: p. 101 (colour)
Illustrated: p. 102 (colour)
Illustrated: p. 103 (colour)
Illustrated: p. 109 (colour)

Exhibitions

Designed by the artist himself, this publication gives a rare insight into one of the most intensive work periods (1995–1996) of Richter’s life.

 

It commences by introducing pictures, which having been kept in the artist’s studio had never been on view. Although mostly focussing on abstract works, an intimate cycle of eight photo paintings in a smaller format is also included: an autobiographic cycle depicting his third wife Sabine Moritz, a painter herself, and their first son Moritz in a Madonna-like pose.

...
More Details
Gerhard Richter. 100 Pictures Obrist, Hans Ulrich / Pelzer, Birgit / Tosatto, Guy 1996

Issue

01 January 2008

Publisher

Hatje Cantz Verlag, Ostfildern-Ruit

Details

Hardback , 160 pages

ISBN

9783775722490

Category

Solo Exhibitions
Artwork Discussed: pp. 137, 138
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Mentioned: pp. 38
Illustrated: p. 39 (colour)
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Mentioned: pp. 137
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136
Discussed: pp. 136

Exhibitions

The book was published on the occasion of the exhibition Gerhard Richter. Abstrakte Bilder at Museum Ludwig, Cologne and Haus der Kunst, Munich. The exhibitions were dedicated to Gerhard Richter’s abstract pictures, which form approximately one third of his œuvre.

However, this publication is not an overview of the development of his abstract works, but rather singles out selected large format works for discussion. These works, executed between 1986 and 2006, show a similar complexity that originates from a multitude of layers of paint.

Edited by Ulrich Wilmes, with text contributions by Benjamin H. D. Buchloh, Beate Söntgen and Gregor Stemmrich.

...
More Details
Gerhard Richter. Large Abstracts Wilmes, Ulrich / Buchloh, Benjamin H. D. / Söntgen, Beate / Stemmrich, Gregor 2008

Issue

01 January 2006

Publisher

Verlag der Buchhandlung Walther König, Köln

Details

Hardback , 862 pages

ISBN

9783883758015

Category

Monographs

Notes

Encyclopedic new edition that completely revises and updates the 1997 edition and includes 147 additional plates.

Artwork Mentioned: pp. 853
Mentioned: pp. 853
Mentioned: pp. 853
Mentioned: pp. 853
Mentioned: pp. 853
Mentioned: pp. 853
Mentioned: pp. 853
Mentioned: pp. 9
Mentioned: pp. 9
Mentioned: pp. 9
Mentioned: pp. 9, 853
Mentioned: pp. 9, 853
Mentioned: pp. 9, 853
Mentioned: pp. 9, 853
Mentioned: pp. 9, 853
Mentioned: pp. 10
Mentioned: pp. 10
Mentioned: pp. 8, 850, 853
Mentioned: pp. 8, 850, 853
Mentioned: pp. 8, 850, 853
Mentioned: pp. 8, 850, 853
Mentioned: pp. 8, 850, 853
Mentioned: pp. 8, 850, 853
Mentioned: pp. 8, 850, 853
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Mentioned: pp. 8, 850, 853
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Mentioned: pp. 11, 853
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Mentioned: pp. 853

At 864 pages, this monumental and comprehensive publication maps the ideas, processes, life and times of Gerhard Richter. Conceived and closely edited by Richter himself, Atlas cuts straight to the heart of the artist's work, collecting more than 5,000 photographs, drawings and sketches that he has compiled or created since the moment of his creative breakthrough in 1962. The images closely parallel, year by year, the subjects of Richter's paintings, revealing the orderly but open-ended analysis that has been so central to his art.
Offering invaluable insight into Richter's working process, this encyclopedic new edition - which completely revises and updates the rare, out-of-print 1997 edition and includes 147 additional plates - features 780 multi-image panels, each reproduced full page and in full colour.

...
More Details
Gerhard Richter. Atlas Friedel, Helmut 2006

Issue

01 January 2005

Publisher

Wako Works of Art, Tokyo

Details

Hardback , 279 pages

ISBN

4473032558

Category

Monographs

Notes

Revised edition of 'Texte. Schriften und Interviews', first published in 1993.

Artwork Illustrated: p. 15 (colour)
Illustrated: p. 15 (colour)
Illustrated: p. 24 (colour)
Illustrated: p. 23 (colour)
Illustrated: p. 23 (colour)
Illustrated: p. 22 (colour)
Illustrated: p. 22 (colour)
Illustrated: p. 21 (colour)
Illustrated: p. 20 (colour)
Illustrated: p. 20 (colour)
Illustrated: p. 18 (colour)
Illustrated: p. 19 (colour)
Illustrated: p. 18 (colour)
Illustrated: p. 17 (colour)
Illustrated: p. 16 (colour)
Illustrated: p. 16 (colour)
Illustrated: p. 14 (colour)
Illustrated: p. 13 (colour)
Illustrated: p. 13 (colour)
Illustrated: p. 12 (colour)
Illustrated: p. 11 (colour)
Illustrated: p. 11 (colour)
Illustrated: p. 10 (colour)
Illustrated: p. 10 (colour)
Illustrated: p. 9 (colour)

Illustrated: p. 223 (b/w)

Illustrated: p. 223 (b/w)

Illustrated: p. 205 (b/w)

Illustrated: p. 205 (b/w)

Illustrated: p. 199 (b/w)

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Illustrated: p. 173 (b/w)

Illustrated: p. 155 (b/w)

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Illustrated: p. 155 (b/w)

Illustrated: p. 147 (b/w)

Illustrated: p. 147 (b/w)

Illustrated: p. 135 (b/w)

Illustrated: p. 135 (b/w)

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Illustrated: p. 113 (b/w)

Illustrated: p. 113 (b/w)

Illustrated: p. 92 (b/w)

Illustrated: p. 92 (b/w)

Illustrated: p. 92 (b/w)

Illustrated: p. 93 (b/w)

Illustrated: p. 92 (b/w)

Illustrated: p. 92 (b/w)

Illustrated: p. 93 (b/w)

Illustrated: p. 93 (b/w)

Illustrated: p. 93 (b/w)

Illustrated: p. 93 (b/w)

Illustrated: p. 93 (b/w)

Illustrated: p. 93 (b/w)

Illustrated: p. 92 (b/w)

Illustrated: p. 57 (b/w)

Illustrated: p. 57 (b/w)

Illustrated: p. 55 (b/w)

Illustrated: p. 55 (b/w)

Illustrated: p. 55 (b/w)

Illustrated: p. 55 (b/w)

Illustrated: p. 47 (b/w)

Illustrated: p. 35 (b/w)

Illustrated: p. 31 (b/w)

Illustrated: p. 82 (b/w)

Illustrated: p. 82 (b/w)

Illustrated: p. 83 (b/w)

Illustrated: p. 83 (b/w)
Texte: Schriften und Interviews: Revised and Enlarged Edition Richter, Gerhard / Shimizu, Minoru 2005