Se não neste tempo – Pintura alemã contemporânea: 1989–2010

Designed by the artist himself, this publication gives a rare insight into one of the most intensive work periods (1995–1996) of Richter’s life.

It commences by introducing pictures, which having been kept in the artist’s studio had never been on view. Although mostly focussing on abstract works, an intimate cycle of eight photo paintings in a smaller format is also included: an autobiographic cycle depicting his third wife Sabine Moritz, a painter herself, and their first son Moritz in a Madonna-like pose.

Designed by the artist himself, this publication gives a rare insight into one of the most intensive work periods (1995–1996) of Richter’s life.

It commences by introducing pictures, which having been kept in the artist’s studio had never been on view. Although mostly focussing on abstract works, an intimate cycle of eight photo paintings in a smaller format is also included: an autobiographic cycle depicting his third wife Sabine Moritz, a painter herself, and their first son Moritz in a Madonna-like pose.

At 864 pages, this monumental and comprehensive publication maps the ideas, processes, life and times of Gerhard Richter. Conceived and closely edited by Richter himself, Atlas cuts straight to the heart of the artist's work, collecting more than 5,000 photographs, drawings and sketches that he has compiled or created since the moment of his creative breakthrough in 1962. The images closely parallel, year by year, the subjects of Richter's paintings, revealing the orderly but open-ended analysis that has been so central to his art.
Offering invaluable insight into Richter's working process, this encyclopedic new edition - which completely revises and updates the rare, out-of-print 1997 edition and includes 147 additional plates - features 780 multi-image panels, each reproduced full page and in full colour.

At 864 pages, this monumental and comprehensive publication maps the ideas, processes, life and times of Gerhard Richter. Conceived and closely edited by Richter himself, Atlas cuts straight to the heart of the artist's work, collecting more than 5,000 photographs, drawings and sketches that he has compiled or created since the moment of his creative breakthrough in 1962. The images closely parallel, year by year, the subjects of Richter's paintings, revealing the orderly but open-ended analysis that has been so central to his art. Offering invaluable insight into Richter's working process, this encyclopedic new edition - which completely revises and updates the rare, out-of-print 1997 edition and includes 147 additional plates - features 780 multi-image panels, each reproduced full page and in full color.

The catalogue Gerhard Richter. Atlas displays 783 plates of Gerhard Richter’s Atlas. Atlas is a collection of photographs, newspaper cuttings and sketches, which the artist compiled and then arranged on single sheets beginning in the mid 1960s. The plates, which often contain templates for his paintings, reflect different stages of Richter’s life and work.

With text contribution by Helmut Friedel.

Gerhard Richter has been widely regarded as a publicity shy artist. However, the biography Gerhard Richter, Maler gives an insight into Richter’s personal history as well as into the development of his artistic œuvre.
Besides an evaluation of numerous letters and material from the Gerhard Richter archive, the book includes conversations with the artist as well as several of his contemporaries. Dietmar Elger, director of the Gerhard Richter Archive, describes Richter’s daily studio routine and his creative process. Thanks to detailed background information, this book contributes to an understanding of Richter’s art in connection with his life.

This edition of the biography Gerhard Richter, Maler published in 2008 was slightly revised to include details of more recent events in Richter’s life.

This catalogue raisonné records Richter’s works in the years 1993-2004.

In his work, Gerhard Richter calls into question painting's boundaries, and the labels applied to painting and theories connected with them. In his pictures based on photographs - blurred overpaintings, grey paintings, and landscape and abstract compositions - he makes clear that nothing perceived by our senses can ever be found in a picture. The outer world is not portrayable and the inner one resists any comparison. While his painted works based on photographs illustrate painting's superiority, his glass works - glass panes, paintings on glass, mirrors and sculptures - question the interaction of viewer and picture and, like the paintings, offer a window onto the world. This publication takes account of all the important stages of Richter's oeuvre.