Von Edgar Degas bis Gerhard Richter: Arbeiten auf Papier aus der Sammlung des Kunstmuseums Winterthur

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This catalogue raisonné of Gerhard Richter's drawings encompasses works in pencil, India ink, ballpoint pen, and other drawing media, on both paper and canvas since 1964. This comprehensive survey presents more than 400 drawings, each with descriptive captions and background text, as well as essays by Dieter Schwarz and Birgit Pelzer that investigate this crucial component of one of the 20th century's most celebrated painters.

Gerhard Richter. Portraits is the first publication that focuses solely on Richter’s portraits, many of which have now gained both recognition and veneration across the globe.

In his essay, Stefan Gronert discusses the position of the portrait in the artist’s oeuvre. He begins by looking at Richter’s early black and white pictures, then moving on to his more recent colour charts. The artist has explored this subject through various media, including painting, graphic reproduction, drawings, photography and film. Research conducted for this publication unearthed portraits in the artist’s archive that were hitherto unknown; now published in this monograph for the first time.
In his essay, Hubert Butin examines some of these newly discovered works; in particular focusing on Richter’s portrait photography of the 1960s.
 

Gerhard Richter. Portraits is the first publication that focuses solely on Richter’s portraits, many of which have now gained both recognition and veneration across the globe.

In his essay, Stefan Gronert discusses the position of the portrait in the artist’s oeuvre. He begins by looking at Richter’s early black and white pictures, then moving on to his more recent colour charts. The artist has explored this subject through various media, including painting, graphic reproduction, drawings, photography and film. Research conducted for this publication unearthed portraits in the artist’s archive that were hitherto unknown; now published in this monograph for the first time.

In his essay, Hubert Butin examines some of these newly discovered works; in particular focusing on Richter’s portrait photography of the 1960s.