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Gerhard Richter. November
Category | Artist's Books |
Author | Richter, Gerhard / Schwarz, Dieter |
Publisher | Heni Publishing, London |
Year | 2013 |
Details | Hardback, 72 pages |
ISBN | 9780956404114 |
Language | English |
Gerhard Richter produced November, a series of 54 works in ink, in 2008. These works were created using a variety of ways to manipulate the consistency of ink and its flow on highly absorbent paper. The ink permeated through the sheets creating two related images, one on the front and one on the back of each of the altogether 27 sheets. In some cases Richter also applied lacquer or pencil.
The artist had a complete set of facsimiles made so both sides of the 27 sheets could be viewed at the same time. However, the sequence of mirrored pairs of images is disrupted, as some of the motifs have been rotated by 180 degrees. The book displays the images of the pairs, one on the front and one on the back of each page and ends with an overview of all 54 works. Every page is dated, mainly in sequence of their production.
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Series 'Schriften des Gerhard Richter Archiv Dresden ; vol. 11'
Gerhard Richter. Bücher is the first publication that exclusively addresses Gerhard Richter’s artist’s books. Starting with a brief introduction to the history of the genre, Dieter Schwarz proceeds to analyse Richter’s diverse publications, which don’t necessarily stand out with extravagant covers, but are versatile in dealing with different subjects and their presentation. The aspect of reproduction and the processing of graphical material, which plays a crucial role in Richter’s works in general, can also be found in most of his books. Schwarz adjudges Eis and Wald a special status, as they are not derived from image details like War Cut or Patterns, but consist of independent series of pictures.
In the interview with Richter, Hans Ulrich Obrist, who also collaborated with him on a number of books, discusses the artist’s books chronologically and raises detailed questions about the development and context of all of Richter’s publications. The interviewer talks to Richter about his ideals and guiding principles in painting. Obrist is mainly interested in the structure and arrangement of the books, which demonstrate a carefully conceived composition.
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