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Title Author Date

Issue

01 January 2019

Details

135 pages

Language

English

Category

Theses

Notes

Thesis (Ph.D.). - Trinity College, Hartford, CT, 2019

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Gewalt und Gedächtnis: An Examination of Gerhard Richter’s 18. Oktober 1977 in Relation to the West German Mass Media McDevitt, Matthew P. 2019

Issue

01 January 2019

Language

English

Category

Theses

Notes

Thesis (Ph.D.). - University College London, 2019

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'Homestories': performing and visualising the familial in West Germany, 1961-1989 Tait, Alexandra Olivia Désirée 2019

Issue

21 April 2017

Publisher

Embassy Of Music, Berlin

Language

German

Category

Other publications

Notes

Features the picture 'Seascape (Cloudy)' (1969; CR-235) on the cover.

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Vilnius [CD] Schilling, Tom 2017

Issue

01 October 2014

Details

207 pages

Language

English

Category

Theses

Notes

Thesis (Ph.D.). - Bar-Ilan University, Ramat-Gan, 2014

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Gerhard Richter's 'Atlas'. Themes of tourism, selfhood, and sublime Bulgaru, Orit 2014

Issue

01 July 2014

Details

194 pages

Language

English

Category

Theses

Notes

Thesis (Ph.D.). - Plymouth University, Plymouth, 2014

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Puncturing the Silence. Painting Over the Found Photograph Chapman, Sarah Lesley 2014

Issue

01 January 2014

Publisher

AVM, München

Details

Softcover, 233 pages

ISBN

9783954770281

Language

German

Category

Theses

Notes

Thesis (Ph.D.). - Kunstakademie Düsseldorf, 2014

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Ein Blick durch Gerhard Richters 'Fensterbilder'. Eine Untersuchung des Sehens von Kunstwerken Wojtys, Pia 2014

Issue

01 May 2013

Details

88 pages

Language

English

Category

Theses

Notes

Thesis (Ph.D.). - Texas Woman's University, Denton, TX, 2013

This thesis addresses these questions: Why did Gerhard Richter choose to paint terrorism, a complex, political, and polarizing theme? How does he convey such a subject, deal with the controversy generated, get the paintings exhibited, and find a permanent home for them? Acclaimed artist Gerhard Richter painted fifteen scenes of the violent Baader-Meinhof Gang that terrorized West Germany from 1968 to 1977. He named his amorphous views of the terrorists and their deaths simply, October 18, 1977, the date the gang leaders died in their prison cells. Research included visits to the German gallery that first exhibited the paintings, the MOMA in New York City, which owns them, and the Tate Modern in London. The author had access to original material in museum archives. Richter was drawn to the theme in part from his experiences growing up in Nazi Germany and may have been seeking validation as a painter of history.

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Gerhard Richter's paintings of terrorists. The artist confronts history Cope, Gail W. 2013

Issue

01 January 2013

Details

Special binding, 143 pages

Language

English

Category

Theses

Notes

Thesis (Ph.D.). - London Metropolitan University, London, 2013

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Contemporary Abstract Painting and Spiritual Experience. An Investigation Through Practice Evans, Michael 2013