
Publisher
Year
Details
ISBN
Language
Category
Exhibitions
Released on the occasion of the exhibition Gerhard Richter. Atlas – Mikromega, this supplementary volume completes the 2006 publication Gerhard Richter. Atlas with the recently added sheets 784 – 802. Besides the illustration of the sheets, which were created between 2009 and 2013, Helmut Friedel tracks the extension in the introductory text. He recognises continuities in regard to commissioned portraits and landscapes, but also alterations. A new aspect is the spatial concepts, which are achievable unlike the earlier utopian sketches.
A central role in the whole of Atlas is the contrast between large and small, which is reflected in the title of the exhibition “Mikromega”: a combination of these two words in Greek.
...
Year
Details
Language
Category
Exhibitions
More Details
Publisher
Year
Details
ISBN
Language
Category
Exhibitions
- Gerhard Richter: Strips and Glass, Kunstmuseum Winterthur, Winterthur, Switzerland, 2013
- Gerhard Richter. Strips and Glass, Galerie Neue Meister, Albertinum, Staatliche Kunstsammlungen Dresden, Dresden, Germany, 2013

Publisher
Year
ISBN
Language
Category
Exhibitions
The exhibition catalogue Gerhard Richter. Tapestries was published to accompany the eponymous exhibition at the Gagosian Gallery in London. The book presents four tapestries by Gerhard Richter on display at the exhibition, along with detailed images of these works.
Francesco Bonami analyses the tapestries in his written contribution. He compares them to John Cage’s composition “Roaratorio”, which is a complex musical work involving multiple elements. He describes the tapestries as primordial, timeless and going beyond language.
...
Publisher
Year
Details
Language
Category
Exhibitions
More Details
Publisher
Year
Details
ISBN
Language
Category
Exhibitions
Gerhard Richter. Beirut was published on the occasion of Richter’s first exhibition in Lebanon, at the Beirut Art Center in 2012. Both the exhibition and catalogue focus on Richter’s overpainted photographs, which he has created since the mid-1980s. Rarely seen in print, the overpainted photographs bring together the artist’s long-standing fascination with the nature of photography and the language of abstract painting. The imagery ranges from domestic and family photos to holiday snaps, landscapes, mountain ranges and studio shots. The series Museum Visit, created in 2011, features prominently, with 234 overpainted photographs taken during a typical busy day at Tate Modern, London.
The accompanying essay by Achim Borchardt-Hume considers this particular body of work and its place within Richter’s wider oeuvre, asserting that 'the photographs allow an insight into the private world of Richter, albeit an insight that is always seen – quite literally – through the veil of paint and painting”.
The bilingual English / Arabic catalogue includes a foreword by the BAC directors Lamia Joreige and Sandra Dagher. It was conceived by the artist himself and published in partnership with Beirut Art Center, Heni Publishing in London, and Verlag der Buchhandlung Walther König in Cologne.

Publisher
Year
Details
ISBN
Language
Category
Exhibitions
0
...
Publisher
Year
Details
Language
Category
Exhibitions
More Details
Publisher
Year
Details
Language
Category
Exhibitions
More Details
Publisher
Year
Editor
Details
ISBN
Language
Category
Exhibitions
More Details
Publisher
Year
Details
ISBN
Language
Category
Exhibitions
More Details
Publisher
Year
Editor
Details
ISBN
Language
Category
Exhibitions
More Details
Publisher
Year
ISBN
Language
Category
Exhibitions
More Details
Publisher
Year
Details
ISBN
Language
Category
Exhibitions
More Details
Publisher
Year
Details
ISBN
Language
Category
Exhibitions
Gerhard Richter. Bilder einer Epoche was published on the occasion of the exhibition at Bucerius Kunstforum in Hamburg in 2011. Both the exhibition and the catalogue focus on Richter’s paintings of the 1960s that are based on photographical source images. The paintings and photographs, which were predominantly taken from magazines and advertisements of the era, are confronted with each other; Richter’s selective process is illuminated and categorised here.
Letters, which Richter wrote to his artist friends Helmut Heinze and Wieland Förster, can also be read for the first time in this publication, along with photographs of Richter’s studio at the time, and give a strong impression of his work in this period.
The cycle October 18, 1977 completes the works from the 1960s since its creative process refers to the earlier works. A comprehensive examination of the source material that lead to these paintings of members of the terrorist group Red Army Faction has also been carried out.
Contributions by Ortrud Westheider, Uwe M. Schneede, Dietmar Elger, Hubertus Butin and Dietmar Rübel.

Publisher
Year
Details
ISBN
Language
Category
Exhibitions
Gerhard Richter. Images d'une époque was published on the occasion of the exhibition at Bucerius Kunstforum in Hamburg in 2011. Both the exhibition and the catalogue focus on Richter’s paintings of the 1960s that are based on photographical source images. The paintings and photographs, which were predominantly taken from magazines and advertisements of the era, are confronted with each other; Richter’s selective process is illuminated and categorised here.
Letters, which Richter wrote to his artist friends Helmut Heinze and Wieland Förster, can also be read for the first time in this publication, along with photographs of Richter’s studio at the time, and give a strong impression of his work in this period.
The cycle October 18, 1977 completes the works from the 1960s since its creative process refers to the earlier works. A comprehensive examination of the source material that lead to these paintings of members of the terrorist group Red Army Faction has also been carried out.
Contributions by Ortrud Westheider, Uwe M. Schneede, Dietmar Elger, Hubertus Butin and Dietmar Rübel.

Publisher
Year
Details
ISBN
Language
Category
Exhibitions
Gerhard Richter. Images of an Era was published on the occasion of the exhibition at Bucerius Kunstforum in Hamburg in 2011. Both the exhibition and the catalogue focus on Richter’s paintings of the 1960s that are based on photographical source images. The paintings and photographs, which were predominantly taken from magazines and advertisements of the era, are confronted with each other; Richter’s selective process is illuminated and categorised here.
Letters, which Richter wrote to his artist friends Helmut Heinze and Wieland Förster, can also be read for the first time in this publication, along with photographs of Richter’s studio at the time, and give a strong impression of his work in this period.
The cycle October 18, 1977 completes the works from the 1960s since its creative process refers to the earlier works. A comprehensive examination of the source material that lead to these paintings of members of the terrorist group Red Army Faction has also been carried out.
Contributions by Ortrud Westheider, Uwe M. Schneede, Dietmar Elger, Hubertus Butin and Dietmar Rübel.

Publisher
Year
Details
ISBN
Language
Category
Exhibitions
More Details
Publisher
Year
Details
ISBN
Language
Category
Exhibitions
- Gerhard Richter: Panorama, Tate Modern, London, UK, 2011
- Gerhard Richter: Panorama, Neue und Alte Nationalgalerie, Staatliche Museen zu Berlin, Berlin, Germany, 2011
- Gerhard Richter: Panorama, Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France, 2011

