Gerhard Richter. War Cut

种类 艺术家书籍
作者 Richter, Gerhard / Pagé, Susanne / Obrist, Hans Ulrich
出版社 Verlag der Buchhandlung Walther König, Köln
2004
图书资料 精装, 324 页
国际标准书号 3883757578
语言 德文

The artist's book War Cut, designed by Gerhard Richter focuses on Abstract Painting [CR: 648-2] of 1987, which is located at Musée d'art moderne de la ville de Paris.

In May 2002, Gerhard Richter took detailed photographs of the picture, in which dark colours dominate and whose rather rough appearance is striking.

Two years later, Richter takes the photographs up again for his book project War Cut. 216 close-up photographs are juxtaposed to 216 texts from the German newspaper Frankfurter Allgemeinen Zeitung of 20th and 21th March 2003, the beginning of the Iraq War. Whereas Gerhard Richter assembles the pictures following aesthetical principles, the texts are mainly printed in their chronological order. The layout of the book follows a formal pattern: the photographs as well as the texts fill a space of 10 x 15 cm.

文献

标题
作者
日期
Gerhard Richter. Bücher
Obrist, Hans Ulrich / Schwarz, Dieter / Richter, Gerhard / Elger, Dietmar
2013

出版社

Staatliche Kunstsammlungen, Dresden

图书资料

平装, 118 页

国际标准书号

9783932264429

种类

艺术家书籍

作品说明

Series 'Schriften des Gerhard Richter Archiv Dresden ; vol. 11'

Gerhard Richter. Bücher is the first publication that exclusively addresses Gerhard Richter’s artist’s books. Starting with a brief introduction to the history of the genre, Dieter Schwarz proceeds to analyse Richter’s diverse publications, which don’t necessarily stand out with extravagant covers, but are versatile in dealing with different subjects and their presentation. The aspect of reproduction and the processing of graphical material, which plays a crucial role in Richter’s works in general, can also be found in most of his books. Schwarz adjudges Eis and Wald a special status, as they are not derived from image details like War Cut or Patterns, but consist of independent series of pictures.

 

In the interview with Richter, Hans Ulrich Obrist, who also collaborated with him on a number of books, discusses the artist’s books chronologically and raises detailed questions about the development and context of all of Richter’s publications. The interviewer talks to Richter about his ideals and guiding principles in painting. Obrist is mainly interested in the structure and arrangement of the books, which demonstrate a carefully conceived composition.

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