Gerhard Richter. Tableau abstrait 825-II. 69 détails

Issue 1996
Category Artist's Books
Author Richter, Gerhard / Obrist, Hans Ulrich
Date 1996
Publisher L'Arche, Paris
Details Softcover, 69 pages
ISBN 2851813838
Language French

This work contains 69 different details of the surface of one abstract painting, photographed head-on. At first glance the fragmented topography suggests that Richter followed a specific plan, but the search for fixed coordinates or a sequence of the details leads nowhere. Each fragment almost fills the entire page, followed by a blank page, lending order to disorder.

The following artworks are mentioned, discussed or illustrated in the book:

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Related publication

Title
Author
Date
Gerhard Richter. Bücher
Obrist, Hans Ulrich / Schwarz, Dieter / Richter, Gerhard / Elger, Dietmar
2013

Issue

2013

Publisher

Staatliche Kunstsammlungen, Dresden

Details

Softcover, 118 pages

ISBN

9783932264429

Language

German

Category

Artist's Books

Notes

Series 'Schriften des Gerhard Richter Archiv Dresden ; vol. 11'

Gerhard Richter. Bücher is the first publication that exclusively addresses Gerhard Richter’s artist’s books. Starting with a brief introduction to the history of the genre, Dieter Schwarz proceeds to analyse Richter’s diverse publications, which don’t necessarily stand out with extravagant covers, but are versatile in dealing with different subjects and their presentation. The aspect of reproduction and the processing of graphical material, which plays a crucial role in Richter’s works in general, can also be found in most of his books. Schwarz adjudges Eis and Wald a special status, as they are not derived from image details like War Cut or Patterns, but consist of independent series of pictures.

 

In the interview with Richter, Hans Ulrich Obrist, who also collaborated with him on a number of books, discusses the artist’s books chronologically and raises detailed questions about the development and context of all of Richter’s publications. The interviewer talks to Richter about his ideals and guiding principles in painting. Obrist is mainly interested in the structure and arrangement of the books, which demonstrate a carefully conceived composition.

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