Theses

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Title Author Date

Issue

01 January 2019

Details

135 pages

Language

English

Category

Theses

Notes

Thesis (Ph.D.). - Trinity College, Hartford, CT, 2019

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Gewalt und Gedächtnis: An Examination of Gerhard Richter’s 18. Oktober 1977 in Relation to the West German Mass Media McDevitt, Matthew P. 2019

Issue

01 January 2019

Language

English

Category

Theses

Notes

Thesis (Ph.D.). - University College London, 2019

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'Homestories': performing and visualising the familial in West Germany, 1961-1989 Tait, Alexandra Olivia Désirée 2019

Issue

01 October 2014

Details

207 pages

Language

English

Category

Theses

Notes

Thesis (Ph.D.). - Bar-Ilan University, Ramat-Gan, 2014

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Gerhard Richter's 'Atlas'. Themes of tourism, selfhood, and sublime Bulgaru, Orit 2014

Issue

01 July 2014

Details

194 pages

Language

English

Category

Theses

Notes

Thesis (Ph.D.). - Plymouth University, Plymouth, 2014

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Puncturing the Silence. Painting Over the Found Photograph Chapman, Sarah Lesley 2014

Issue

01 January 2014

Publisher

AVM, München

Details

Softcover, 233 pages

ISBN

9783954770281

Language

German

Category

Theses

Notes

Thesis (Ph.D.). - Kunstakademie Düsseldorf, 2014

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Ein Blick durch Gerhard Richters 'Fensterbilder'. Eine Untersuchung des Sehens von Kunstwerken Wojtys, Pia 2014

Issue

01 December 2013

Details

626 pages

Language

Spanish

Category

Theses

Notes

Thesis (Ph.D.). - University of Valencia, Valencia, 2013

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La obra de arte como contramonumento. Representación de la memoria antiheroica como recurso en el arte contemporáneo Martínez Rosario, Domingo 2013

Issue

01 May 2013

Details

88 pages

Language

English

Category

Theses

Notes

Thesis (Ph.D.). - Texas Woman's University, Denton, TX, 2013

This thesis addresses these questions: Why did Gerhard Richter choose to paint terrorism, a complex, political, and polarizing theme? How does he convey such a subject, deal with the controversy generated, get the paintings exhibited, and find a permanent home for them? Acclaimed artist Gerhard Richter painted fifteen scenes of the violent Baader-Meinhof Gang that terrorized West Germany from 1968 to 1977. He named his amorphous views of the terrorists and their deaths simply, October 18, 1977, the date the gang leaders died in their prison cells. Research included visits to the German gallery that first exhibited the paintings, the MOMA in New York City, which owns them, and the Tate Modern in London. The author had access to original material in museum archives. Richter was drawn to the theme in part from his experiences growing up in Nazi Germany and may have been seeking validation as a painter of history.

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Gerhard Richter's paintings of terrorists. The artist confronts history Cope, Gail W. 2013

Issue

01 January 2013

Publisher

Grin Verlag, München

Details

Softcover, 92 pages

ISBN

9783656363026

Language

German

Category

Theses
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Die Bedeutung der Farbe in Gerhard Richters Gemäldezyklus '18. Oktober 1977' Frickmann, Elena 2013

Issue

01 January 2013

Details

Special binding, 143 pages

Language

English

Category

Theses

Notes

Thesis (Ph.D.). - London Metropolitan University, London, 2013

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Contemporary Abstract Painting and Spiritual Experience. An Investigation Through Practice Evans, Michael 2013

Issue

01 April 2012

Details

[118] pages

Language

English

Category

Theses

Notes

Thesis (Ph.D.). - University of East London, London, 2012

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Presence and Representation Giannaroudis, Konstantinos 2012

Issue

01 January 2012

Publisher

UFMG, Belo Horizonte

Details

557 pages

Language

Portuguese

Category

Theses

Notes

Thesis (Ph.D.). - Universidade Federal de Minas Gerais, Escola de Belas Artes, Belo Horizonte, 2012

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Enciclopedismo em Livros de artista. Um manual de construção da Enciclopédia Visual Cadôr, Amir Brito 2012

Issue

01 January 2012

Details

634 pages

Language

English

Category

Theses

Notes

Thesis (Ph.D.). - Yale University, Connecticut, CT, 2012

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Lightness and Loss. Abstraction in the Art of Gerhard Richter Smythe, Luke 2012

Issue

20 August 2011

Details

56 pages

Language

Dutch

Category

Theses

Notes

Thesis (BA). - Kunstgeschiedenis Universiteit van Amsterdam, 2011

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De figuratieve en abstracte stijl van Gerhard Richter. En alles wat er tussen ligt Geerts, Walther 2011

Issue

17 January 2011

Details

44 pages

Language

English

Category

Theses

Notes

Thesis (MA). - University of Dundee, Dundee, 2011

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Grey Autumn. Gerhard Richter's October Cycle and the Art of Post War Germany Morrison, Katie 2011

Issue

01 January 2011

Language

English

Category

Theses

Notes

Thesis (BA). - University of Colorado, Boulder, 2011

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To Paint in the Age of Technological Reproducibility. Presentation in Gerhard Richter's Blurred Paintings Strauss, Stephanie 2011

Issue

01 January 2011

Publisher

UMI Dissertation Publishing, Ann Harbour, MI

Details

Softcover, 316 pages

ISBN

9780549400332

Language

English

Category

Theses

Notes

Thesis (Ph.D.). - New York University, New York, NY, 2008

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Revolt into Style. Images of 1970s West German 'Terrorists' Goldsworthy, Rupert 2011

Issue

01 January 2011

Details

Softcover, 62 pages

Language

German

Category

Theses

Notes

Thesis (BA). - Humboldt-University Berlin, 2011

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'Betty' (1977/1988) von Gerhard Richter Cordes, Johanna 2011

Issue

01 January 2011

Details

Softcover, 204 pages

Language

English

Category

Theses

Notes

Thesis (Ph.D.). - University of Minnesota, Minneapolis, MN, 2011

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The Aesthetics of Terrorism Collenberg, Carrie Ann 2011

Issue

01 January 2011

Language

English

Category

Theses

Notes

Thesis (MFA). - School of Visual Arts, New York, NY, 2011

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Gerhard Richter. Blurring the Boundaries between Aura and Photography Ruby, Taylor 2011

Issue

01 January 2011

Details

Softcover, 58 pages

Language

English

Category

Theses

Notes

Thesis (MA). - Crawford College of Art and Design, Cork, 2011

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Jan Dibbets and Gerhard Richter. Photography and Perception Cadogan, Sarah 2011