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Title
Author
Date
Gewalt und Gedächtnis: An Examination of Gerhard Richter’s 18. Oktober 1977 in Relation to the West German Mass Media
McDevitt, Matthew P.
2019

Year

2019

Details

135 pages

Language

English

Category

Theses

Notes

Thesis (Ph.D.). - Trinity College, Hartford, CT, 2019

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'Homestories': performing and visualising the familial in West Germany, 1961-1989
Tait, Alexandra Olivia Désirée
2019

Year

2019

Language

English

Category

Theses

Notes

Thesis (Ph.D.). - University College London, 2019

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Gerhard Richter's 'Atlas'. Themes of tourism, selfhood, and sublime
Bulgaru, Orit
2014

Year

2014

Details

207 pages

Language

English

Category

Theses

Notes

Thesis (Ph.D.). - Bar-Ilan University, Ramat-Gan, 2014

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Puncturing the Silence. Painting Over the Found Photograph
Chapman, Sarah Lesley
2014

Year

2014

Details

194 pages

Language

English

Category

Theses

Notes

Thesis (Ph.D.). - Plymouth University, Plymouth, 2014

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Ein Blick durch Gerhard Richters 'Fensterbilder'. Eine Untersuchung des Sehens von Kunstwerken
Wojtys, Pia
2014

Publisher

AVM, München

Year

2014

Details

Softcover, 233 pages

ISBN

9783954770281

Language

German

Category

Theses

Notes

Thesis (Ph.D.). - Kunstakademie Düsseldorf, 2014

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La obra de arte como contramonumento. Representación de la memoria antiheroica como recurso en el arte contemporáneo
Martínez Rosario, Domingo
2013

Year

2013

Details

626 pages

Language

Spanish

Category

Theses

Notes

Thesis (Ph.D.). - University of Valencia, Valencia, 2013

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Gerhard Richter's paintings of terrorists. The artist confronts history
Cope, Gail W.
2013

Year

2013

Details

88 pages

Language

English

Category

Theses

Notes

Thesis (Ph.D.). - Texas Woman's University, Denton, TX, 2013

This thesis addresses these questions: Why did Gerhard Richter choose to paint terrorism, a complex, political, and polarizing theme? How does he convey such a subject, deal with the controversy generated, get the paintings exhibited, and find a permanent home for them? Acclaimed artist Gerhard Richter painted fifteen scenes of the violent Baader-Meinhof Gang that terrorized West Germany from 1968 to 1977. He named his amorphous views of the terrorists and their deaths simply, October 18, 1977, the date the gang leaders died in their prison cells. Research included visits to the German gallery that first exhibited the paintings, the MOMA in New York City, which owns them, and the Tate Modern in London. The author had access to original material in museum archives. Richter was drawn to the theme in part from his experiences growing up in Nazi Germany and may have been seeking validation as a painter of history.

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Contemporary Abstract Painting and Spiritual Experience. An Investigation Through Practice
Evans, Michael
2013

Year

2013

Details

Special binding, 143 pages

Language

English

Category

Theses

Notes

Thesis (Ph.D.). - London Metropolitan University, London, 2013

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Die Bedeutung der Farbe in Gerhard Richters Gemäldezyklus '18. Oktober 1977'
Frickmann, Elena
2013

Publisher

Grin Verlag, München

Year

2013

Details

Softcover, 92 pages

ISBN

9783656363026

Language

German

Category

Theses
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Presence and Representation
Giannaroudis, Konstantinos
2012

Year

2012

Details

[118] pages

Language

English

Category

Theses

Notes

Thesis (Ph.D.). - University of East London, London, 2012

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Enciclopedismo em Livros de artista. Um manual de construção da Enciclopédia Visual
Cadôr, Amir Brito
2012

Publisher

UFMG, Belo Horizonte

Year

2012

Details

557 pages

Language

Portuguese

Category

Theses

Notes

Thesis (Ph.D.). - Universidade Federal de Minas Gerais, Escola de Belas Artes, Belo Horizonte, 2012

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Lightness and Loss. Abstraction in the Art of Gerhard Richter
Smythe, Luke
2012

Year

2012

Details

634 pages

Language

English

Category

Theses

Notes

Thesis (Ph.D.). - Yale University, Connecticut, CT, 2012

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De figuratieve en abstracte stijl van Gerhard Richter. En alles wat er tussen ligt
Geerts, Walther
2011

Year

2011

Details

56 pages

Language

Dutch

Category

Theses

Notes

Thesis (BA). - Kunstgeschiedenis Universiteit van Amsterdam, 2011

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Grey Autumn. Gerhard Richter's October Cycle and the Art of Post War Germany
Morrison, Katie
2011

Year

2011

Details

44 pages

Language

English

Category

Theses

Notes

Thesis (MA). - University of Dundee, Dundee, 2011

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'Betty' (1977/1988) von Gerhard Richter
Cordes, Johanna
2011

Year

2011

Details

Softcover, 62 pages

Language

German

Category

Theses

Notes

Thesis (BA). - Humboldt-University Berlin, 2011

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Gerhard Richter. Blurring the Boundaries between Aura and Photography
Ruby, Taylor
2011

Year

2011

Language

English

Category

Theses

Notes

Thesis (MFA). - School of Visual Arts, New York, NY, 2011

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Jan Dibbets and Gerhard Richter. Photography and Perception
Cadogan, Sarah
2011

Year

2011

Details

Softcover, 58 pages

Language

English

Category

Theses

Notes

Thesis (MA). - Crawford College of Art and Design, Cork, 2011

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Revolt into Style. Images of 1970s West German 'Terrorists'
Goldsworthy, Rupert
2011

Publisher

UMI Dissertation Publishing, Ann Harbour, MI

Year

2011

Details

Softcover, 316 pages

ISBN

9780549400332

Language

English

Category

Theses

Notes

Thesis (Ph.D.). - New York University, New York, NY, 2008

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The Aesthetics of Terrorism
Collenberg, Carrie Ann
2011

Year

2011

Details

Softcover, 204 pages

Language

English

Category

Theses

Notes

Thesis (Ph.D.). - University of Minnesota, Minneapolis, MN, 2011

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The Romantic Scenery. Projections of the Ego on the Nature
Gabriele, Berciu Lola
2011

Year

2011

Language

English

Category

Theses

Notes

Thesis (Ph.D.). - Universitatea de Arta si Design Cluj-Napoca, 2011

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