Gerhard Richter

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What does the word 'Informel' mean to you today?
As I see it, all of them – Tachists, Action Painters, Informel artists, and the rest – are only part of an Informel movement that covers a lot of other things as well. I think there's an Informel element in Beuys, as well; but it all began with Duchamp and chance, or with Mondrian, or with the Impressionists. The Informel is the opposite of the constructional quality of classicism – the age of kings, or clearly formed hierarchies.

So in this context you still see yourself as an Informel artist?
Yes, in principle. The age of the Informel has hardly begun yet.

Interview with Hans Ulrich Obrist, 1993, 1993 SOURCE
Gerhard Richter: Text. Writings, Interviews and Letters 1961–2007, Thames & Hudson, London, 2009, p. 14

When I paint from a photograph, conscious thinking is eliminated. I don't know what I am doing. My work is far closer to the Informel than to any kind of 'realism'. The photograph has an abstraction of its own, which is not easy to see through.

Notes, 1964-65, 1964-65 SOURCE
Gerhard Richter: Text. Writings, Interviews and Letters 1961–2007, Thames & Hudson, London, 2009, p. 14

Exhibitions 3/14 Results Show all results

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Auctions 3/80 Results Show all results

Artwork Auction House Estimate Sold For Date

Kreuz
Cross

1997
19.5 cm x 19.5 cm x 1.5 cm
Steel, surface treated with hard wax oil 
Christie's
New York, USA 
USD 7,000 – 10,000
USD 20,160
13 March 2024

Firenze (58/99)
Firenze (58/99)

2000
12 cm x 12 cm
Oil on colour photograph 
Christie's
New York, USA 
USD 40,000 – 60,000
USD 40,320
13 March 2024

Kerze II
Candle II

1989
91 cm x 91 cm
Oil on offset print on paper, mounted on plastic, framed and behind glass 
Christie's
New York, USA 
USD 70,000 – 90,000

13 March 2024