Gerhard Richter. Patterns. Divided - Mirrored - Repeated

Category Artist's Books
Author Richter, Gerhard
Publisher Heni Publishing, London / Verlag der Buchhandlung Walther König, Köln
Year 2011
Details Hardback, 452 pages
ISBN 9783865609410
Language English

The artist's book documents Gerhard Richter’s experiment of taking an image of his original Abstract Painting [CR: 724-4] and dividing it vertically into strips: first 2, then 4, 8, 16, 32, 64, 128, 256, 512, 1024, 2048, up to 4096 strips. This process (twelve stages of division) results in 8190 strips, each of which is the height of the original image. With each stage of division the strips become progressively thinner (a strip of the 12th division is 0.08 mm). Endless more divisions are possible, but they would soon only become visible by enlargement. Each strip is then mirrored and repeated, which results in patterns. The number of repetitions increases with each stage of division in order to make patterns of consistent size. The result of 221 listed patterns is published on 221 double page images. The book is published in a limited edition of 800 numbered copies, 50 of which are numbered with Roman numerals I–L. Copies nos. 1–200 are signed.
 

Related publication

Title
Author
Date
Gerhard Richter. Bücher
Obrist, Hans Ulrich / Schwarz, Dieter / Richter, Gerhard / Elger, Dietmar
2013

Publisher

Staatliche Kunstsammlungen, Dresden

Details

Softcover, 118 pages

ISBN

9783932264429

Language

German

Category

Artist's Books

Notes

Series 'Schriften des Gerhard Richter Archiv Dresden ; vol. 11'

Gerhard Richter. Bücher is the first publication that exclusively addresses Gerhard Richter’s artist’s books. Starting with a brief introduction to the history of the genre, Dieter Schwarz proceeds to analyse Richter’s diverse publications, which don’t necessarily stand out with extravagant covers, but are versatile in dealing with different subjects and their presentation. The aspect of reproduction and the processing of graphical material, which plays a crucial role in Richter’s works in general, can also be found in most of his books. Schwarz adjudges Eis and Wald a special status, as they are not derived from image details like War Cut or Patterns, but consist of independent series of pictures.

 

In the interview with Richter, Hans Ulrich Obrist, who also collaborated with him on a number of books, discusses the artist’s books chronologically and raises detailed questions about the development and context of all of Richter’s publications. The interviewer talks to Richter about his ideals and guiding principles in painting. Obrist is mainly interested in the structure and arrangement of the books, which demonstrate a carefully conceived composition.

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