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Gerhard Richter: Sindbad
Issue | 2010 |
Category | Artist's Books |
Author | Richter, Gerhard |
Date | 2010 |
Publisher | Verlag der Buchhandlung Walther König, Köln |
Details | Hardback, 96 pages |
ISBN | 9783865608192 |
Language | German |
Gerhard Richter’s artist's book Sindbad is dedicated to his series of reverse glass paintings of the same name. Here, the paintings are brought together with the story Sinbad the Sailor from Arabian Nights.
The abstract colour creations of the Sinbad series were originally arranged in pairs and the pattern is replicated with the images displayed in the book. Also, the size of the book corresponds to that of the original paintings, 30 x 24 cm. The high-gloss illustrations that recall the quality of the reverse glass paintings are interrupted by texts describing the voyages of Sinbad in regular intervals. The story’s introduction forms part of the book’s cover, as a partial sleeve.
When Gerhard Richter designed the book, he left the binding and the cardboard visible but completed it with a high-gloss sleeve that shows a modified detail from the Sinbad series.
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Series 'Schriften des Gerhard Richter Archiv Dresden ; vol. 11'
Gerhard Richter. Bücher is the first publication that exclusively addresses Gerhard Richter’s artist’s books. Starting with a brief introduction to the history of the genre, Dieter Schwarz proceeds to analyse Richter’s diverse publications, which don’t necessarily stand out with extravagant covers, but are versatile in dealing with different subjects and their presentation. The aspect of reproduction and the processing of graphical material, which plays a crucial role in Richter’s works in general, can also be found in most of his books. Schwarz adjudges Eis and Wald a special status, as they are not derived from image details like War Cut or Patterns, but consist of independent series of pictures.
In the interview with Richter, Hans Ulrich Obrist, who also collaborated with him on a number of books, discusses the artist’s books chronologically and raises detailed questions about the development and context of all of Richter’s publications. The interviewer talks to Richter about his ideals and guiding principles in painting. Obrist is mainly interested in the structure and arrangement of the books, which demonstrate a carefully conceived composition.
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