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Keyword: 39
You sometimes describe yourself as a classical painter.
I39;m never really sure what that word means, but however inaccurately I use it, 39;classical39; was always my ideal, as long as I can remember, and something of that has always stayed with me, to this day. Of course, there were difficulties, because in comparison to my ideal, I didn39;t even come close.
And what is it that connects Vermeer, Palladio, Bach, Cage?
It39;s that same quality I39;ve been talking about. It39;s neither contrived, nor surprising and smart, not baffling, not witty, not interesting, not cynical, it can39;t be planned and it probably can39;t even be described. It39;s just good.
If you don39;t believe in God, what do you believe in?
Well, in the first place, I believe that you always have to believe. It39;s the only way; after all we both believe that we will do this exhibition. But I can39;t believe in God, as such, he39;s either too big or too small for me, and always incomprehensible, unbelievable.
Are there subjects that you cannot paint?
Well, I don39;t believe there are subjects that can39;t be painted, but there are a lot of things that I personally can39;t paint.
What are you trying to achieve with these realistic images?
I39;m trying to paint a picture of what I have seen and what moved me, as well as I can. That39;s all.