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The painting centres on the record player of Andreas Baader, a leading member of the terrorist group Red Army Faction (RAF), that featured in his cell in the prison of Stuttgart-Stammheim and in which the gun was hidden that he used to shoot himself. Record player was painted using a police photograph taken within the context of securing the crime scene[1].
From above, the viewer looks onto the device standing off-centre in a corner on the ground. The player is encompassed by cables and a power strip and offers a free view to the record on top with its bright label visible through the transparent cover.
Record player is one of the paintings of October 18, 1977 concerned specifically with the personality of Andreas Baader and his personal belongings. Both Record player and Cell [CR: 670] are sometimes seen as portraying Baader as they both refer to his personality by means of his property and counterbalance the depictions of the dead Baader in Man Shot Down 1 and 2 [CR: 669/1-2][2]. However, the record player is not depicted as being in operation, the needle rests beside the record. The silence is thus expressed visually and points even more pointedly to the absence of the owner[3] and the falling silent of the historical reports[4]. Painting in this case visualises the lack of language and sound[5]. Although the traces of his life are still present in the possessions of the dead man, and as such are portrayable, the human itself has departed irretrievably[6].
The record player in Baader’s prison cell evoked different connotations in the public awareness. On the one hand, it refers to the heated discussion about the conditions of detention of the imprisoned RAF members[7]. The detained terrorists were held in solitary confinement at first but had fought against this by going on a hunger strike that was well-covered by the media, attaining facilitations of imprisonment. These included concessions concerning the planning of their daily routine like the permission to go out to the prison courtyard and to talk privately between themselves as well personal amenities like books and music[8]. Especially the record player had become a symbol for the collective suicide of the RAF terrorists and the inability of the state to find a suitable way of dealing with the prisoners. In a hidden compartment in the shell of the record player Baader had hidden the gun he used to kill himself – both prove of how permeable the walls of the prison really were and a memento of death[9]. The device also points to the fact that electronic devices and especially the stereo equipment were converted into a radio system by the prisoners and used for unsupervised communication between the prison cells. This fact only became public knowledge after the deaths in Stammheim[10].
The original photograph was taken in colour, just like the source image for Cell [CR: 670], and it is possible to identify the record: Eric Clapton’s There’s One in Every Crowd from 1974[11]. Information like these are obscured in Richter’s painting because of the painterly treatment. The painting only pretends to be able to disclose details about Andreas Baader as a person while in reality only acting as a proxy for his personality, the arguments and conspiracy theories surrounding the case of Stammheim[12].
Richter doesn’t take sides in his cycle of works and he stresses that he was less interested in a detailed depiction of the events than a reconsideration of the issues: “What have I painted. […] – a silent, grey record player – […] I’m not so sure whether the pictures ‘ask’ anything; they provoke contradiction through their hopelessness and desolation, their lack of partisanship.“[13]
[1] Robert Storr (ed.), Gerhard Richter. October 18, 1977, The Museum of Modern Art, New York, 2000, p. 106.
[2] Ortrud Westheider, “Eine Idee, die bis zum Tod geht. Der Zyklus 18. Oktober 1977“, in: Uwe M. Schneede (ed.): Gerhard Richter. Bilder einer Epoche, exh. cat. Bucerius Kunst-Forum, Munich, 2011, p. 174.
[3] Storr 2000, p. 107.
[4] Martin Henatsch, Gerhard Richter – 18. Oktober 1977. Das verwischte Bild der Geschichte, Fischer, Frankfurt, 1998, p. 79.
[5] Birgit Richard, Todesbilder. Kunst, Subkultur, Medien, Wilhelm Fink, München, 1995, p. 234.
[6] Storr 2000, p. 107.
[7] Westheider 2011, pp. 160-161.
[8] Stefan Aust, Der Baader-Meinhof-Komplex, 3rd ed., Hamburg, 2008, pp. 384-413.
[9] Westheider 2011, p. 161.
[10] Stefan Aust and Helmar Büchel, “Der letzte Akt der Rebellion” in: Der Spiegel, No. 37, 2007, p. 67-78.
[11] Storr 2000, p. 117.
[12] Achim Borchardt-Hume, “’Dreh Dich nicht um’ – Richters Bilder aus den späten 1980er-Jahren“ in: Mark Godfrey, Nicholas Serota, Dorothée Brill, Camille Morineau (ed.), Gerhard Richter. Panorama, exh. cat. Neue Nationalgalerie Berlin, Munich, 2012, p. 169.
[13] Notes for a press conference, November-December (held at Museum Haus Esters, Krefeld, February 1989), 1988 (translated by David Britt) in: Gerhard Richter. Text. Writings, Interviews and Letters 1961-2007, Thames & Hudson, London, 2009, pp. 203-204.
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The Museum of Modern Art (MoMA), New York, USA
This artwork is based on an image included in Atlas:
This artwork was shown in the following exhibitions:
This artwork is included in the following publications:
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Published on the occasion of the exhibition “Vija Celmins | Gerhard Richter: Double Vision”. Hamburger Kunsthalle, Galerie der Gegenwart, 12.5. - 27.8.2023.
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Published on the occasion of the exhibition "Im Atelier Liebermann: Gerhard Richter: Atlas-Übersicht 1:2", at Stiftung Brandenburger Tor, Max-Liebermann-Haus, Berlin, from 30 October 2020 - 3 January 2021.
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This catalogue was published on the occasion of the exhibition "Gerhard Richter: Painting After All", 4 March 2020 - 5 July 2020, Metropolitan Museum of Art, New York and 14 August 2020 - 19 January 2021, Museum of Contemporary Art, Los Angeles.
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A series of seven interviews between art curator Hans Ulrich Obrist and visual artist Gerhard Richter.
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Series 'Schriften des Gerhard Richter Archiv Dresden ; vol. 15'
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- Gerhard Richter: About Painting, Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent, Belgium, 2017
- Gerhard Richter: Early Works, Museum Wiesbaden, Wiesbaden, Germany, 2017
- Gerhard Richter: About Painting - Early Works, Kunstmuseum Bonn, Bonn, Germany, 2017
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The catalogue Gerhard Richter. Bilder / Serien accompanies Gerhard Richter’s eponymous exhibition at the Fondation Beyeler. The show is curated by Hans Ulrich Obrist, a longstanding friend of Richter
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The catalogue Gerhard Richter. Pictures / Series accompanies Gerhard Richter’s exhibition at the Fondation Beyeler. The show is curated by Hans Ulrich Obrist, a longstanding friend of Richter
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- Time Present: Photography from the Deutsche Bank Collection, Hara Museum of Contemporary Art, Tokyo, Japan, 2014
- Time Present: Contemporary Photography from the Deutsche Bank Collection, Singapore Art Museum, Singapore, Singapore, 2014
- Time Present: Photography from the Deutsche Bank Collection, National Gallery of Modern Art, Sir Cowasji Jahangir Public Hall, Mumbai, India, 2014
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- Time Present: Photography from the Deutsche Bank Collection, Hara Museum of Contemporary Art, Tokyo, Japan, 2014
- Time Present: Photography from the Deutsche Bank Collection, National Gallery of Modern Art, Sir Cowasji Jahangir Public Hall, Mumbai, India, 2014
- Time Present: Contemporary Photography from the Deutsche Bank Collection, Singapore Art Museum, Singapore, Singapore, 2014
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Series 'Schriften des Gerhard Richter Archiv Dresden ; vol. 8'
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Gerhard Richter. Bilder einer Epoche was published on the occasion of the exhibition at Bucerius Kunstforum in Hamburg in 2011. Both the exhibition and the catalogue focus on Richter’s paintings of the 1960s
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2nd ed.
The catalogue Gerhard Richter. Atlas displays 783 plates of Gerhard Richter’s Atlas. Atlas is a collection of photographs, newspaper cuttings and sketches, which the artist compiled and then arranged on single sheets
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- Gerhard Richter: Panorama, Tate Modern, London, UK, 2011
- Gerhard Richter: Panorama, Neue und Alte Nationalgalerie, Staatliche Museen zu Berlin, Berlin, Germany, 2011
- Gerhard Richter: Panorama, Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France, 2011
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Gerhard Richter. Images of an Era was published on the occasion of the exhibition at Bucerius Kunstforum in Hamburg in 2011. Both the exhibition and the catalogue focus on Richter’s paintings of the 1960s
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In this publication, eminent American scholar and curator Robert Storr offers an authoritative consideration of September, Richter’s 2005 painting made in response to the attacks on the WorldTrade Center of 11 September 2001,
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Series 'Schriften des Gerhard Richter Archiv Dresden ; vol. 7'
Gerhard Richter in der Dresdener Galerie is the 7th volume from the publications of the Gerhard Richter Archive Dresden.
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This issue of the Patrimonia series was published on the occasion of the acquisition of the painting Portrait Dr. Knobloch of 1964 by Staatliche Kunstsammlungen Dresden in 2009.
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This catalogue was published on the occasion of the exhibition Richter en France at the Musée de Grenoble in 2009. Both the exhibition and catalogue are dedicated to works by Gerhard Richter that belong to public collections and museums in France.
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Gerhard Richter has been widely regarded as a publicity shy artist. However, the biography Gerhard Richter. A Life in Painting gives an insight into Richter’s personal history as well as into the development of his artistic œuvre.
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- Gerhard Richter: Abstract Paintings, Haus der Kunst, Munich, Germany, 2008
- Gerhard Richter: Abstract Paintings, Museum Ludwig, Cologne, Germany, 2008
The book was published on the occasion of the exhibition Gerhard Richter. Abstrakte Bilder at Museum Ludwig, Cologne and Haus der Kunst, Munich. The exhibitions were dedicated to Gerhard Richter’s abstract pictures
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The book was published on the occasion of the exhibition Gerhard Richter. Abstrakte Bilder at Museum Ludwig, Cologne and Haus der Kunst, Munich. The exhibitions were dedicated to Gerhard Richter’s abstract pictures
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The catalogue was published to coincide with the exhibition Gerhard Richter: 4900 Colours at the Serpentine Gallery in London in 2008.
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Corrected and extended new edition.
Gerhard Richter has been widely regarded as a publicity shy artist. However, the biography Gerhard Richter, Maler gives an insight into Richter’s personal history as well as into the development of his artistic œuvre.
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Encyclopedic new edition that completely revises and updates the 1997 edition and includes 147 additional plates.
At 864 pages, this monumental and comprehensive publication maps the ideas, processes, life and times of Gerhard Richter. Conceived and closely edited by Richter himself, Atlas cuts straight to the heart of the artist's work
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Encyclopedic new edition,which completely revises and updates the 1997 edition and includes 147 additional plates.
At 864 pages, this monumental and comprehensive publication maps the ideas, processes, life and times of Gerhard Richter. Conceived and closely edited by Richter himself, Atlas cuts straight to the heart of the artist's work
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Gerhard Richter. Portraits is the first publication that focuses solely on Richter’s portraits, many of which have now gained both recognition and veneration across the globe.
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Gerhard Richter. Portraits is the first publication that focuses solely on Richter’s portraits, many of which have now gained both recognition and veneration across the globe.
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Revised edition of 'Texte. Schriften und Interviews', first published in 1993.
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- Gerhard Richter, Städtische Galerie im Lenbachhaus, Munich, Germany, 2005
- Gerhard Richter, K20 Grabbeplatz, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany, 2005
This catalogue raisonné records Richter’s works in the years 1993-2004. In his work, Gerhard Richter calls into question painting's boundaries, and the labels applied to painting and theories connected with them.
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- Gerhard Richter: Printed! Prints, Photo Editions and Artist's Books, Kunstmuseum Bonn, Bonn, Germany, 2004
- Gerhard Richter: Printed! Prints, Photo Editions and Artists' Books, Kunsthalle, Tübingen, Germany, 2004
- Gerhard Richter: Printed! Prints, Photo Editions and Artists' Books, Kunsthalle Emden, Emden, Germany, 2004
- Gerhard Richter: Printed! Prints, Photo Editions and Artists' Books, Museum der Moderne Salzburg, Salzburg, Austria, 2004
- Gerhard Richter: Printed! Prints, Photo Editions and Artist's Books, Kunstmuseum Luzern, Lucerne, Switzerland, 2004
The catalogue raisonné of Gerhard Richters editions 1965–2004 was published to coincide with exhibitions in Bonn, Lucerne, Emden, Tübingen and Salzburg.
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- Gerhard Richter: Printed! Prints, Photo Editions and Artist's Books, Kunstmuseum Bonn, Bonn, Germany, 2004
- Gerhard Richter: Printed! Prints, Photo Editions and Artists' Books, Kunsthalle Emden, Emden, Germany, 2004
- Gerhard Richter: Printed! Prints, Photo Editions and Artists' Books, Kunsthalle, Tübingen, Germany, 2004
- Gerhard Richter: Printed! Prints, Photo Editions and Artists' Books, Museum der Moderne Salzburg, Salzburg, Austria, 2004
- Gerhard Richter: Printed! Prints, Photo Editions and Artist's Books, Kunstmuseum Luzern, Lucerne, Switzerland, 2004
The catalogue raisonné of Gerhard Richters editions 1965–2004 was published to coincided with exhibitions in Bonn, Lucerne, Emden, Tübingen and Salzburg.
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Gerhard Richter is widely recognized as one of the most significant painters working today, and he is certainly among the most influential. He has worked in a wide range of media since the early 1960s,
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- Gerhard Richter: 40 Years of Painting, Hirshhorn Museum and Sculpture Garden, Washington D.C., USA, 2002
- Gerhard Richter: 40 Years of Painting, San Francisco Museum of Modern Art (SFMOMA), San Francisco, USA, 2002
- Gerhard Richter: 40 Years of Painting, The Art Institute of Chicago, Chicago, USA, 2002
- Gerhard Richter: 40 Years of Painting, The Museum of Modern Art (MoMA), New York, USA, 2002
Published on the occasion of the exhibition Gerhard Richter. 40 Years of Painting at the Museum of Modern Art, New York, this publication represents a broad range of Gerhard Richter's paintings of the last 40 years.
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Gerhard Richter has been widely regarded as a publicity shy artist. However, the biography Gerhard Richter, Maler gives an insight into Richter’s personal history as well as into the development of his artistic œuvre.
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- Gerhard Richter: 40 Years of Painting, The Museum of Modern Art (MoMA), New York, USA, 2002
- Gerhard Richter: 40 Years of Painting, The Art Institute of Chicago, Chicago, USA, 2002
- Gerhard Richter: 40 Years of Painting, San Francisco Museum of Modern Art (SFMOMA), San Francisco, USA, 2002
- Gerhard Richter: 40 Years of Painting, Hirshhorn Museum and Sculpture Garden, Washington D.C., USA, 2002
Published on the occasion of the exhibition Gerhard Richter. 40 Years of Painting at the Museum of Modern Art, New York, this publication represents a broad range of Gerhard Richter's paintings of the last 40 years.
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- Gerhard Richter: Survey, Museu de Arte do Rio Grande do Sul Ado Malagoli, Porto Alegre, Brazil, 2001
- Gerhard Richter: Survey, Biblioteca Luis Ángel Arango del Banco de la República, Bogotá, Colombia, 2001
- Gerhard Richter: Survey, Museo de Arte de Lima (MALI), Lima, Peru, 2001
- Gerhard Richter: Survey, Institut für Auslandsbeziehungen e.V. (ifa), Stuttgart, Germany, 2001
- Gerhard Richter. Survey, Listasafn Islands (National Gallery of Iceland), Reykjavík, Iceland, 2001
- Gerhard Richter: Survey, Arken Museum of Modern Art, Ishøj, Denmark, 2001
- Gerhard Richter: Survey, Silapakorn University Art Gallery, Bangkok, Thailand, 2001
- Gerhard Richter: Survey, National Art Gallery, Kuala Lumpur, Malaysia, 2001
- Gerhard Richter: Survey, I See Imaging Center, Jakarta, Indonesia, 2001
- Gerhard Richter: Survey, Soemardja Gallery, Bandung, Indonesia, 2001
- Gerhard Richter: Survey, RMIT-Gallery, Melbourne, Australia, 2001
- Gerhard Richter: Survey, Sydney Institute, Sydney, Australia, 2001
- Gerhard Richter: Survey, City Gallery, Wellington, New Zealand, 2001
- Gerhard Richter: Survey, Tokushima Prefectural Museum, Tokushima, Japan, 2001
- Gerhard Richter: Survey, Tokyo Wonder Site, Tokyo, Japan, 2001
- Gerhard Richter: Survey, Daelim Museum, Seoul, South Korea, 2001
- Gerhard Richter: Survey, Creation Art Gallery, Beijing, China, 2001
- Gerhard Richter: Survey, National Art Museum, Hanoi, Vietnam, 2001
- Gerhard Richter: Survey, Tehran Museum of Contemporary Art, Tehran, Iran, 2001
- Gerhard Richter: Survey, Gerhard Richter: Atlas, Centre for Contemporary Art, Ujazdowski Castle, Warsaw, Poland, 2001
- Gerhard Richter: Survey, Muncipal Gallery, Bratislava, Slovakia, 2001
- Gerhard Richter: Survey, House of Art, Brno, Czech Republic, 2001
- Gerhard Richter: Survey, Office for Art Exhibitions, Katowice, Poland, 2001
- Gerhard Richter: Survey, Ludwig Múzeum, Budapest, Hungary, 2001
- Gerhard Richter: Survey, Sara Hildén Art Museum, Tampere, Finland, 2001
- Gerhard Richter: Survey, Laznia Centre for Contemporary Art, Gdansk, Poland, 2001
- Gerhard Richter: Survey, Kaliningrad State Art Gallery, Kaliningrad, Russia, 2001
- Gerhard Richter: Survey, The State Museum of City Sculpture, St. Petersburg, Russia, 2001
- Gerhard Richter: Survey, National Centre of Contemporary Art, Moscow, Russia, 2001
- Gerhard Richter: Survey, Museum of Russian Art, Kiev, Ukraine, 2001
- Gerhard Richter: Survey, Art Gallery of Uzbekistan, Tashkent, Uzbekistan, 2001
- Gerhard Richter: Survey, Tbilisi History Museum, Tbilisi, Georgia, 2001
- Gerhard Richter: Survey, Lewis Glucksman Gallery, Cork, Ireland, 2001
- Gerhard Richter: Survey, Umjetnički Paviljon u Zagrebu (Art Pavillon), Zagreb, Croatia, 2001
- Gerhard Richter: Survey, Galerija likovnih umjetnosti (Gallery of Fine Arts), Osijek, Croatia, 2001
- Gerhard Richter: Survey, Contemporary Art Center, Vilnius, Lithuania, 2001
- Gerhard Richter: Survey, Kumu Art Museum, Tallinn, Estonia, 2001
- Gerhard Richter: Survey, Espacio Contemporáneo de Arte (ECA), Mendoza, Argentina, 2001
- Gerhard Richter: Survey, Museo Municipal de Bellas Artes Dr. Genaro Pérez, Córdoba, Argentina, 2001
- Gerhard Richter: Survey, Centro Cultural José Amadeo Conte Grand, San Juan, Argentina, 2001
- Gerhard Richter: Survey, Centro Cultural Parque de Espana, Rosario, Argentina, 2001
- Gerhard Richter: Survey, Museo Nacional de Arte, La Paz, Bolivia, 2001
- Gerhard Richter: Survey, Museo de Artes Visuales (MAVI), Santiago, Chile, 2001
- Gerhard Richter: Survey, Museo Nacional de Artes Visuales, Montevideo, Uruguay, 2001
- Gerhard Richter: Survey, Museo Nacional de Arte Decorativo, Buenos Aires, Argentina, 2001
- Gerhard Richter: Survey, Casa Andrade Muricy, Curitiba, Brazil, 2001
- Gerhard Richter: Survey, Caixa Cultural Salvador, Salvador, Brazil, 2001
- Gerhard Richter: Survey, Caixa Cultural Brasilia, Brasilia, Brazil, 2001
- Gerhard Richter: Survey, Centro de las Artes, San Luis Potosí, Mexico, 2001
- Gerhard Richter: Survey, Museo de la Ciudad, Quito, Ecuador, 2001
- Gerhard Richter: Survey, Pinacoteca do Estado de São Paulo, São Paulo, Brazil, 2001
The catalogue Gerhard Richter. Survey accompanies the eponymous exhibition of the German Institut für Auslandsbeziehungen (IfA), which has been composed by Gerhard Richter himself.
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This catalogue raisonné of Gerhard Richter's drawings encompasses works in pencil, India ink, ballpoint pen, and other drawing media, on both paper and canvas since 1964.
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An additional German translation of Robert Storr's essay accompanies this publication published on the occasion of an exhibition "Gerhard Richter. October 18, 1977" at the Museum of Modern Art, New York.
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On October 18, 1977, three young German radicals, members of the militant Baader-Meinhof group, were found dead in a Stuttgart prison; they were pronounced suicides, but many people suspected they had been murdered.
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The catalogue Gerhard Richter. Übersicht accompanies the eponymous exhibition of the German Institut für Auslandsbeziehungen (IfA), which has been composed by Gerhard Richter himself.
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Designed by the artist himself, this publication gives a rare insight into one of the most intensive work periods (1995–1996) of Richter’s life.
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The book is published in a limited edition of 1000 copies that are signed by the artist.
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This limited edition reproduces in facsimile each of the twenty-three Richter works executed on pages of the book Stammheim. Der Prozess gegen die Rote Armee Fraktion by Pieter H. Bakker Schut
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- Gerhard Richter: Atlas of Photographs, Collages and Sketches, Städtische Galerie im Lenbachhaus, Munich, Germany, 1989
- Gerhard Richter: Atlas of Photographs, Collages and Sketches, Museum Ludwig, Cologne, Germany, 1989
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In
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Reprinted in 'Presseberichte zu Gerhard Richter '18. Oktober 1977''.
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