Gerhard Richter

Gerhard Richter

Städtische Galerie im Lenbachhaus, Munich, Allemagne

04 juin 2005 - 21 août 2005

Gerhard Richter's Atlas collection of motifs, including photographs, sketches and newspaper clippings, has been modified over the years and continually expanded.

This exhibition displayed 733 sheets from Atlas.

View the complete Atlas here.

32 œuvres

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2 publication(s) associée(s)

Titre
Auteur
Date
Gerhard Richter. Catalogue Raisonné 1993–2004
Zweite, Armin
2005

Maison d'édition

Richter Verlag, Düsseldorf in association with D.A.P Distributed Art Publishers, New York, NY

Année

2005

Détails

Relié, 324 pages

ISBN

9783937572215, 393757221X

Langue

Anglais

Catégorie

Expositions solo

Exposition(s)

This catalogue raisonné records Richter’s works in the years 1993-2004.

In his work, Gerhard Richter calls into question painting's boundaries, and the labels applied to painting and theories connected with them. In his pictures based on photographs - blurred overpaintings, grey paintings, and landscape and abstract compositions - he makes clear that nothing perceived by our senses can ever be found in a picture. The outer world is not portrayable and the inner one resists any comparison. While his painted works based on photographs illustrate painting's superiority, his glass works - glass panes, paintings on glass, mirrors and sculptures - question the interaction of viewer and picture and, like the paintings, offer a window onto the world. This publication takes account of all the important stages of Richter's oeuvre.

...
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Gerhard Richter. Werkverzeichnis 1993-2004
Zweite, Armin
2005

Maison d'édition

Richter Verlag, Düsseldorf in association with D.A.P Distributed Art Publishers, New York, NY

Année

2005

Détails

Relié, 323 pages

ISBN

9783937572208, 978-3937572208

Langue

Allemand

Catégorie

Expositions solo

Exposition(s)

This catalogue raisonné records Richter’s works in the years 1999-2004.

In his work, Gerhard Richter calls into question painting's boundaries, and the labels applied to painting and theories connected with them. In his pictures based on photographs - blurred overpaintings, grey paintings, and landscape and abstract compositions - he makes clear that nothing perceived by our senses can ever be found in a picture. The outer world is not portrayable and the inner one resists any comparison. While his painted works based on photographs illustrate painting's superiority, his glass works - glass panes, paintings on glass, mirrors and sculptures - question the interaction of viewer and picture and, like the paintings, offer a window onto the world. This publication takes account of all the important stages of Richter's oeuvre.

...
More Details