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Titolo
Autore
Data
Gewalt und Gedächtnis: An Examination of Gerhard Richter's 18. Oktober 1977 in Relation to the West German Mass Media
McDevitt, Matthew P.
2019

Anno

2019

Dettagli

135 pagine

Lingua

Inglese

Categoria

Tesi

Note

Thesis (Ph.D.). - Trinity College, Hartford, CT, 2019

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'Homestories': performing and visualising the familial in West Germany, 1961-1989
Tait, Alexandra Olivia Désirée
2019

Anno

2019

Lingua

Inglese

Categoria

Tesi

Note

Thesis (Ph.D.). - University College London, 2019

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Access / Absence
Fenstermaker, William
2016

Anno

2016

Dettagli

V, 86 pagine

Lingua

Inglese

Categoria

Tesi

Note

Thesis (MA). - School of Visual Arts, New York, 2016

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Gerhard Richter's 'Atlas'. Themes of tourism, selfhood, and sublime
Bulgaru, Orit
2014

Anno

2014

Dettagli

207 pagine

Lingua

Inglese

Categoria

Tesi

Note

Thesis (Ph.D.). - Bar-Ilan University, Ramat-Gan, 2014

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Puncturing the Silence. Painting Over the Found Photograph
Chapman, Sarah Lesley
2014

Anno

2014

Dettagli

194 pagine

Lingua

Inglese

Categoria

Tesi

Note

Thesis (Ph.D.). - Plymouth University, Plymouth, 2014

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Ein Blick durch Gerhard Richters 'Fensterbilder'. Eine Untersuchung des Sehens von Kunstwerken
Wojtys, Pia
2014

Casa editrice

AVM, München

Anno

2014

Dettagli

Brossura, 233 pagine

ISBN

9783954770281

Lingua

Tedesco

Categoria

Tesi

Note

Thesis (Ph.D.). - Kunstakademie Düsseldorf, 2012

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La obra de arte como contramonumento. Representación de la memoria antiheroica como recurso en el arte contemporáneo
Martínez Rosario, Domingo
2013

Anno

2013

Dettagli

626 pagine

Lingua

Spagnolo

Categoria

Tesi

Note

Thesis (Ph.D.). - University of Valencia, Valencia, 2013

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Gerhard Richter's paintings of terrorists. The artist confronts history
Cope, Gail W.
2013

Anno

2013

Dettagli

88 pagine

Lingua

Inglese

Categoria

Tesi

Note

Thesis (Ph.D.). - Texas Woman's University, Denton, TX, 2013

This thesis addresses these questions: Why did Gerhard Richter choose to paint terrorism, a complex, political, and polarizing theme? How does he convey such a subject, deal with the controversy generated, get the paintings exhibited, and find a permanent home for them? Acclaimed artist Gerhard Richter painted fifteen scenes of the violent Baader-Meinhof Gang that terrorized West Germany from 1968 to 1977. He named his amorphous views of the terrorists and their deaths simply, October 18, 1977, the date the gang leaders died in their prison cells. Research included visits to the German gallery that first exhibited the paintings, the MOMA in New York City, which owns them, and the Tate Modern in London. The author had access to original material in museum archives. Richter was drawn to the theme in part from his experiences growing up in Nazi Germany and may have been seeking validation as a painter of history.

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Contemporary Abstract Painting and Spiritual Experience. An Investigation Through Practice
Evans, Michael
2013

Anno

2013

Dettagli

Rilegatura speciale, 143 pagine

Lingua

Inglese

Categoria

Tesi

Note

Thesis (Ph.D.). - London Metropolitan University, London, 2013

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Die Bedeutung der Farbe in Gerhard Richters Gemäldezyklus '18. Oktober 1977'
Frickmann, Elena
2013

Casa editrice

GRIN Verlag, München

Anno

2013

Dettagli

Brossura, 92 pagine

ISBN

9783656363026

Lingua

Tedesco

Categoria

Tesi

Note

Bachelor thesis - University of Trier, 2011

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Presence and Representation
Giannaroudis, Konstantinos
2012

Anno

2012

Dettagli

[118] pagine

Lingua

Inglese

Categoria

Tesi

Note

Thesis (Ph.D.). - University of East London, London, 2012

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Enciclopedismo em Livros de artista. Um manual de construção da Enciclopédia Visual
Cadôr, Amir Brito
2012

Casa editrice

UFMG, Belo Horizonte

Anno

2012

Dettagli

557 pagine

Lingua

Portoghese

Categoria

Tesi

Note

Thesis (Ph.D.). - Universidade Federal de Minas Gerais, Escola de Belas Artes, Belo Horizonte, 2012

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Lightness and Loss. Abstraction in the Art of Gerhard Richter
Smythe, Luke
2012

Anno

2012

Dettagli

634 pagine

Lingua

Inglese

Categoria

Tesi

Note

Thesis (Ph.D.). - Yale University, Connecticut, CT, 2012

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De figuratieve en abstracte stijl van Gerhard Richter. En alles wat er tussen ligt
Geerts, Walther
2011

Anno

2011

Dettagli

56 pagine

Lingua

Olandese

Categoria

Tesi

Note

Thesis (BA). - Kunstgeschiedenis Universiteit van Amsterdam, 2011

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Grey Autumn. Gerhard Richter's October Cycle and the Art of Post War Germany
Morrison, Katie
2011

Anno

2011

Dettagli

44 pagine

Lingua

Inglese

Categoria

Tesi

Note

Thesis (MA). - University of Dundee, Dundee, 2011

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'Betty' (1977/1988) von Gerhard Richter
Cordes, Johanna
2011

Anno

2011

Dettagli

Brossura, 62 pagine

Lingua

Tedesco

Categoria

Tesi

Note

Thesis (BA). - Humboldt-University Berlin, 2011

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Gerhard Richter. Blurring the Boundaries between Aura and Photography
Ruby, Taylor
2011

Anno

2011

Lingua

Inglese

Categoria

Tesi

Note

Thesis (MFA). - School of Visual Arts, New York, NY, 2011

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Jan Dibbets and Gerhard Richter. Photography and Perception
Cadogan, Sarah
2011

Anno

2011

Dettagli

Brossura, 58 pagine

Lingua

Inglese

Categoria

Tesi

Note

Thesis (MA). - Crawford College of Art and Design, Cork, 2011

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Revolt into Style. Images of 1970s West German 'Terrorists'
Goldsworthy, Rupert
2011

Casa editrice

UMI Dissertation Publishing, Ann Harbour, MI

Anno

2011

Dettagli

Brossura, 316 pagine

ISBN

9780549400332

Lingua

Inglese

Categoria

Tesi

Note

Thesis (Ph.D.). - New York University, New York, NY, 2008

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The Aesthetics of Terrorism
Collenberg, Carrie Ann
2011

Anno

2011

Dettagli

Brossura, 204 pagine

Lingua

Inglese

Categoria

Tesi

Note

Thesis (Ph.D.). - University of Minnesota, Minneapolis, MN, 2011

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